aboriginal-art.de

Allas, Tess: Why is Aboriginal Art Important to Modern Australia?, in Arc at UNSW, Vol. 8 (2) 2010

Anderson, Chris: Was god ever a 'boss' at Wujal Wujal? Lutherans and Kuku-Yalanji: A socio-historical analysis, The Australian Journal of Anthropology 21, 2010, S. 33-50

Annas, Marianna: Art, Originality and Authenticity, in: Periphery 33, 1997, S. 6-8, ISSN1034-0580

Art in action: The Sea of Hands, in: Australian Art Collector 13, 2000, S. 116

Austin-Brees, Diane: Translating Christianity: Some keywords, events and sites in Western Arrernte conversion, The Australian Journal of Anthropology 21, 2010, S. 14-32

Bähr, Elisabeth: "Political Iconography in Indigenous Art", Zeitschrift für Australienstudien 27, 2013, S. 49-66, ISSN 1617-9900. (http://www.australienstudien.org/index.php/de/journal/archiv-previous-issues?id=42)

Bähr, Elisabeth: Starke Frauen, starke Kunst, in: Frauensolidarität 2, 2002, Wien, S. 14-15

Behrendt, Larissa: Ricky Maynard - Portrait of a Distant Land, Art Monthly Australia, 222 1999, S.12-14

Beier Ulli: Papunya Tula Art: The End of Assimilation. In: Long Water. Aboriginal Art and Literature, Aspect 34, S. 32-37, August 1986, ISSN 0159-3358

Bevan, A.W.R. and Bindon, P.: Australian Aborigines and meteorites, Records of the Western Australian Museum 18, 1996, S.93-101

Biddle, Jennifer: Art under Intervention: the radical ordinary of June Walkutjukurr Richards, Art Monthly 227, 2010, S. 35-36

Butler, Rex: 'Lines'. Leading out of Sight?, in: Australian Art Collector 13, 2000, S.86f

Butler, Sally: Arnhem Land Barks - Shape of Things to Come, in: Australian Art Collector 14, 2000, S. 102-105

Butler, Sally: Michael Nelson Tjakamarra - Unmasked, in: Australian Art Collector 13, 2000, S. 88-90

Butler, Sally: Start Now! A Guide to the Aboriginal Art Market, in: Australian Art Collector 13, 2000, S. 66-75

Carroll, Linda: Fiona Foley - No Shades of White, 2005, www.niagara-galleries.com.au/artists/artistpages/theartists/fiona_foley/documents/NoShadesEssay.pdf

Carty, John: Purnu, Tjanpi, Canvas - Art History in the Ngaanyatjarra Lands, Art Monthly 256, 2013, S. 64-68

Carver, Antonia: Naturally cultured / culturally natured. Recent dialogue between Aboriginal art and the environment, in: Periphery 26, 1996, S. 10-13

Clarke, Philip A.: The Aboriginal Cosmic Landscape of Southem South Australia, Records of the South Australian Museum 29 (2), 1997, S. 125-145

Clark, Ian D.: The Convincing Ground - Aboriginal massacre at Portland Bay, Victoria: fact or fiction?, Aboriginal History 35, 2011, S.79-109

Cochrane, Susan: Yiribana (this way) - a new direction for the Art Gallery of NSW, in: Art Montly Australia 79, 1995, S. 7-9

Copeland, Julie: The land and the market: Aboriginal art in NT, in: Art Montly Australia 83, 1995, S. 4-9

Cowlishaw, Gillian: Mythologising culture: Part 1: Desiring Aboriginality in the suburbs, The Australian Journal of Anthropology 21, 2010, S. 208-227

Creighton, Chad: Guirr Guirr: The contemporary continuum, in: Art + Australia 50 (3) 2013, S. 426-433

Creighton, Chad: Gurirr Gurirr: The contemporary continuum, in: Art & Australia 50 (3) 2013, S. 427-433

Croft, Brenda: "Blak Lik Mi", Art and Australia 31 (1), S. 63-67, 1993

Crone, Bridget: Shaun Dennison - Works in Progress, in: Australian Art Collector 13, 2000, S. 94-96

Davidson, Christina: Indigenous Art of the Kimberley - Warmun Arts: The Unfolding Stories, in: Artlink 26 (3), 2006

Denholm, Michael: The Artist as Detective. The Art of Julie Gaugh, in: Periphery 33, 1997, S. 23-25, ISSN1034-0580

Dewar, Mickey: "The love song of Alfred J Dyer: early days of Church Mission Society missions to the Aborigines of Arnhem Land", Humanities Research (Bigotry and Religion in Australia, 1865-1950) Vol XII, No 1, 2005, S. 27-40

Dewar, Mickey: You in Your Small Corner, in: Humanities Research, Vol. XII, No 1, 2005, S.27-40

Dussart, Francoise: Shown but not Shared, Presented but not Proffered: Redefining Ritual Identity among Warlpiri Ritual Performers, 1990-2000, in: The Australian Journal of Anthropology 15 (3), 2004, S. 253-256

Eather, Michael: Michael Nelson Jagamara & Camprife Group, Brisbane 2000

Eccles, Jeremy: Gunybi Ganambarr – Yolngu lightning, Art Monthly 256, 2013, S. 12-13

Eccles, Jeremy: Hector Jandany, in: Art & Australia 44 (3), Autumn 2007, S. 356

Ellyard, Heather: Big Yam Dreaming, in: Art & Australia 36 (4), 1999, S. 490f

Finnane, Kieran: 'Their share of the struggle': innovation & experimentation in desert arts, in: Art Monthly Australia, 260, June 2013, S. 23-25

Foley, Fiona: I Speak To Cover The Mouth of Silence, Art Monthly 250, June 2012, S. 55-57

Foley, Fiona: On the Power & Beauty of Political Art, in: Art Monthly Australia 211, May 2008, S. 22-24

Foley, Fiona: When The Circus Came To Town, in: Art Monthly Australia 245, Nov 2011, S. 5-7

Geczy, Adam: Outsider/Insider: The Art of Gordon Bennett, in: Art Monthly Australia 260, June 2013, S. 26-28

Geczy, Adam: The Airconditioned Desert - Curating Aboriginal Art, Art Monthly 250, June 2012, S.44-46

Gigler, Elisabeth: Indigenous Australian Art Photography: an Intercultural Approach, in: Zeitschrift für Australienstudien, 21-22, 2007/2008, S. 57-64, ISSN 1617-990

Gnocchio, Benjamin: Shifting Sands - The Art of Fiona Foley, in: Eyeline Contemporary Visual Arts 41, Summer 1999, S. 18-23

Green, Jenny: Emily Kame Kngwarrray. An accidental modernst?, in: Artlink 20 (1), 2000, S. 17-19

Grishin, Sasha: Finding Water, Finding Life - Travels throuth the sand dunes and soak holes of Helicopter Tjungurrayi's sweeping canvasas, in: Art Collector 61, July-Sept 2012, S.130-135

Grishin, Sasha: Ikuntji Art Centre. Haasts Bluff, in: Art Collector 46, 2008, S. 204-205, ISSN 1328-9586

Hampson, Jane: Doreen Reid Nakamarra. Shimmering Lands, in: Art Collector 46, 2008, S. 148-153, ISSN 1328-9586

Hinkson, Melinda: New Media Projects at Yuendumu: inter-cultural engagement and self-determination in an era of accelerated globalization, in: Journal of Media and Cultural Studies, 16 (2), 2002, S. 201-220, ISSN 1030-4312, DOI 10.1080/1030431022013876 9

Hinkson, Melinda: What's in a dedication? On being a Warlpiri DJ, The Australian Journal of Anthropology15 (2), 2004, S.143-162, ISSN 1035-8811

Hoffie, Pat: Fiona Foley. Knowing where to look, in: Artlink 21 (4), S. 60-65

Ingram, Terry: Full Circle. Aboriginal Art turns market corner, in: Australian Art Collector 13, 2000, S. 82-83

Isaacs, Jennifer: Ngaraka-shrine for the lost Koori, in: Art Monthly Australia 135, 2000, S. 25f

James, Bruce: Julie Dowling: Unflinching Portraiture, in: Australian Art Collector 14, 2000, S. 128

Johnson, Vivien: Is there a gender issue in Aboriginal art? in: Art and Australia 32 (3), 1995, S. 350-357

Jorgensen, Darren: Bagging Aboriginal Art, in: arena 111, 2011, 38-42, ISSN 1039-1010

Jorgensen, Darren: On Cross-Cultural Interpretations of Aboriginal Art, Journal of Intercultural Studies 29 (4), 2008, S. 413-426

Jorgenson, Darren: Deep Time: Nuclear Monuments & Aboriginal Art, in: Artlink 29 (1), 2009, S. 40-42, ISSN 0727-1239

Kavanagh, John: The Long Boom. But How Long Can it Last?, in: Australian Art Collector 4, 2000, S. 56-58

Kean, John: Aboriginal artists in New York, in: Art & Australia 26 (4), 1989, S. 571-574

Keary, Anne: "Christianity, colonialism, and cross-cultural translation: Lancelot Threlkeld, Biraban and the Awakabal", Aboriginal History 33, 2009, S.117-155, ISSN 0314-8769

Kelada, Odette and Clark, Madeleine: Bodies on the Line. Repossession and 'Talkin' up' in Aboriginal women's art, in: Artlink 33 (3) 2013, 37-41

King, Victoria: Utopia now. A journey to Emily's country, in: Art & Australia 37 (4), 2000, S. 524f

Kleinert, Sylvia: "Aboriginal enterprises - negotiating an urban aboriginality", Aboriginal History 34, 2010, S.171-196, ISSN 0314-8769

Kleinert, Sylvia: Crash Sites, Artlink 25 (2) 2005, S. 30-35

Koop, Stuart: Fiona Foley. Bare Bones, in: Art Asia Pacific, 1997, S. 38-44

Kozeluh, Narayan: Custodians of the Land, in: Craft Arts International, 53, 2003, S. 46ff, ISSN 1038-846X

Lane, Marcus B., Ross, Helen, Dale, A.P. and Rickson, Roy E.: Sacred land, mineral wealth, and biodiversity at Coronation Hill, Northern Australia: indigenous knowledge and SIA, in: Impact Assessment and Project Appraisal 21 (2), 2003, S. 89ff

Langton, Marcia: The valley of the dolls: Black humuor in the art of Destiny Deacon, in: Art and Australia 35 (1), 1997, S. 100-107

Martin-Chew, Louise: Darby Jampijinpa Ross - Make it good for the people, in: Art Monthly Australia 216, Summer Issue, December 2008 to February 2009, S. 5-8

Massola, Cate: Jarragbu-nungu Warrambany. Flood in Warmun, in: Artlink 32 (4) 2012, S. 21-22

McCulloch-Uehlin, Susan: Ten of the Best. Where to begin collecting Aboriginal art, in: Australian Art Collector 13, 2000, S. 78-80

McDonald, Heather: Universalising the particular? God and Indigenous spirit beings in East Kimberley, The Australian Journal of Anthropology 21, 2010, S. 51-70

McLean, Bruce: Sally Gabori's mind-mapped landscapes, in: Art + Australia 49 (3) 2012, S. 478-485

McLean, Ian: 9 shots 5 stories - Imants Tillers and Indigenous difference, Art Monthly Australia 228, 2010, S.13-16

McLean, Ian: Dreamtime, in: Artlink 29 (1), 2009, S. 16-19, ISSN 0727-1239

McLean, Ian: Home and away: H2O at the Lawrence Wilson Gallery, in: Art Monthly Australia 128, 2000, S. 13ff

McLean, Ian: The Aura of Origin: Ghouls and Golems in Gordon Bennett's Art, in: Artlink 21 (4), 2001, S. 24-29

McLean, Sandra: Archive mnied for brutal history, Courier Mail (Arts Section), 15 August 2001

McPhee, John: Sally Gabori - Feeling the Landscape, Art Monthly 249, May 2012, S. 5-9

McQueen, Humphrey: Art can reveal but never resolve, in: Art Monthly Australia 128, 2000, S. 5ff

McQueen, Humphrey: Divining water Dreaming, in: Art Monthly Australia 134, 2000, S.8ff

McQueen, Humphrey: Rates of exchange, in: Art Monthly Australia 128, 2000, S. 8ff

McQueen, Humphrey: Suburban urbane (Lin Onus urban dingo), in: Art Monthly Australia 134, 2000, S.18ff

Megaw, Vincent: Dot & Circle - Paradox & Politics, in: Art-Network 13, Spring 1984, S. 55-61, ISSN 01584022

Mining by Aborigines – Australia's first miners, in: Primefact 572 (2007) 1-4

Morphy, Howard: "The Methodist Church and the Yol?u, with particular reference to Yirrkala", Humanities Research (Bigotry and Religion in Australia, 1865-195) Vol XII, No 1, 2005, S. 27-40

Morrell, Timothy: An agent for change - Djambawa Marawili, in: Art Collector, 64, Apr-June 2013, S. 118-121

Morrell, Timothy: Deann Grant, in: Art Collector 62, Oct-Dec 2012, S. 106

Morrell, Timothy: Timothy Cook - As Rituals Fade from Memory, Art Collector 62, 2012, S.132-135

Mundine, Djon: "Adam Hill - Not a Proppa Aborigine", Art Monthly Australia 239, May 2011, S. 21-23, ISSN 1033-4025

Mundine, Djon: Aboriginal Art: An Art of Installation, in: Postwest 18, 2001, S.42-48

Mundine, Djon: Aboriginal art competitions and ethical dilemmas and mining companies, in: Artlink 29 (1), 2009, S. 73-75

Mundine, Djon: Adam Hill - Not a proppa Aborigine, in: Art Monthly Australia, 239, May 2011, S. 20-22

Mundine, Djon: David Malangi, in: Art & Australia 38 (2), 2000, S. 69

Mundine, Djon: Painters of the Wagilag Sisters Story, in: Periphery 33, 1997, S. 12-16, ISSN1034-0580

Mundine, Djon: Travelling from Utopia, Art Monthly 250, June 2012, S. 39-43

Murnane, Gerald: Sista brevet till en brorsdotter, in: Artes. Tidskrift för Litteratur, Konst och Musik 4, 2002, Arg. 28, Stockholm, ISSN 03450015

Murphy, Joy: The Lie of the Land, in: Artlink 17 (3), S. 8-9

Musharbash, Yasmine: Marriage, love magic, and adultery: Warlpiri relationships as seen by three generations of anthropologists, Oceania 80 (3), 2010, S. 272-288, ISSN 0029-8077

Myers, Fred: All around Australia and overseas: Christianity and Indigenous identities in Central Australia 1988, The Australian Journal of Anthropology 21, 2010, S. 110–128

Newman, Judith: Dreamings - The Art of Aboriginal Australia, in: Art & Australia 26 (4), 1989, S. 563-570

Nicholls, Christine: Bibliofile, in: Art Monthly Australia 133, 2000, S. 34ff

Nicholls, Christine: Dorothy Napangardi, in: Art Monthly Australia 136, 2000, S. 8-11

Nicholls, Christine: God and Country: An Analysis of Works by Three Contemporary Indigenous Artists, Australian and New Zealand Journal of Art 4 (1) 2003, S. 41-60, ISSN 1443-4318

Nicholls, Christine: Reconciling Accounts. From Ethnokitsch to Fine Art, in: Australian Art Collector 13, 2000, S. 104-108

Nicholls, Christine: Shock of the Old: Yupinya Nampitjin, in: Australian Art Collector 15, 2001

Nicholls, Christine and North, Ian: GST blues in the Balgo Hills, in: Art Monthly Australia 133, 2000, S. 25ff

Nowell, Liz: Tony Albert - Family Man, Art Monthly 256, 2013, S. 88-89

O'Hara, Marguerite; Jones, Jonathan; Peacock, Amanda: Art + Soul - a personal journey into the world of Aboriginal art - A Study Guide, 2010

O'Riordan, Maurice: Mission impossible: The poetic narratives of Michael Cook, in: Art + Australia 49 (4) 2012, S. 572-575

O'Riordan, Maurice: Soiled with multiple visions. Cross-cultural spiritual politics, in: Periphery 33, 1997, S. 3-5, ISSN1034-0580

Pattenden, Rod: Seeing the spiritual in Australian Art: The Blake Prize, in: Art Monthly Australia 246, Summer Issue 2011, S. 46-49

Perkins, Hetti and Fink, Hannah: Covering Ground. The corporeality of landscape, in: Art & Australia 38 (1), 2000, S. 75-83

Perkins, Hetti and Watson Ken: Papunya Tula: Genesis & Genius, in: Australian Art Collector 13, 2000, S. 60-63

Philp, Angela: "Displacement/replacement - Indigenous women's art from city to desert", Art Monthly Australia 249, 2012, S. 34-36, ISSN 1033-4025

Price, Bess Nungarrayi: I Have Seen Violence towards Women Every Day of My Life, Australian Feminist Law Journal 30, 2009, S.149-150, ISSN 1320-0968

Quaill, Avril: Queenie McKenzie, in: Art & Australia 36 (4), 1999, S. 493

Raffan, Jane: Burning Issues – Value and Contemporary Australian Aboriginal Art, Art Monthly 254, Oct. 2012, S. 34-37

Raja, Chris: Desert Mob - Roads for community, Art Monthly 256, 2013, S. 92-93

Ricky Maynard: Indomitable Spirit, in: Portrait35, March-May 2010, S. 18-21

Rolls, Mitchell: "Why didn't you listen: white noise and black history", Aboriginal History 34, 2010, S. 11-33, ISSN 0314-8769

Ryan, Judith: Abstraction, Meaning and Essence in Aboriginal Art, in: Art and Australia, 35 (1) 1997, S. 74-81

Ryan, Judith: George Tjungurrayi, Art & Australia 44 (4), 2007, S. 582-587

Scholes, Luke: Kiwirrkura women - The shifting shape of Western Desert painting, in: Art & Australia 46 (3), 2009, S. 498-505

Schwarz, Carolyn: Christianity, identity, power, and employment in an aboriginal settlement, Ethnology 45 (1), 2006, S. 71-86

Schwarz, Carolyn and Dussart, Francoise: Christianity in Aboriginal Australia revisited, The Australian Journal of Anthropology 21, 2010, S. 1-13

Silver, Anneke: Spinifex, Ochres and the Land, in: Periphery 33, 1997, S. 28-29, ISSN1034-0580

Sloan, Jane: An allure beyond story: the work of Dorothy Napangardi, Southerly 63 (2), 2003, S. 178-187, ISSN 0038-3732

Smith, Terry: Public Art between Cultures - The Aboriginal Memorial, Aboriginality, and Nationality in Australia, Critical Inquiry 27 (4), Summer 2001, S. 629-661

South Australian Museum (ed.): The Big Canvas. Painting Cockatoo Creek Country, in: South Australian Museum, Adelaide, Outreach Education Service, o.J.

Sprague, Quentin: Outside history - Mick Jawalji and Ngarra, in: Art Monthly Australia 244, October 2011, S. 80-81

Spunner, Suzanne: Two laws... One big spirit. Rusty Peters & Peter Adsett, in: Art Monthly Australia 135, 2000, S. 28ff

Strocchi, Marina: Long Tom Tjapanangka, in: Art & Australia 44 (3), Autumn 2007, S. 357

Strocchi, Marina: Minyma Tjukurrpa: Kintore/Haasts Bluff Canvas Project. Dancing women to famous painters, in: Artlink 26 (4) 2005, 104-107

Sutton, Peter: Aboriginal spirituality in a new age, The Australian Journal of Anthropology 21, 2010, S. 71-89

Taylor, Luke: Contemporary Aboriginal art at the Australian National Gallery, in: Art & Australia 26 (4), 1989, S. 589-595

Travis, Lara: Tracey Moffatt, in: Art & Australia 37 (4), 2000, S. 548-555

Trigger, David S. and Asche, Wendy: Christianity, cultural change and the negotiation of rights in land and sea, The Australian Journal of Anthropology 21, 2010, S. 90-109

Watson, Christine: Re-embodying Sand Drawing and Re-evaluating the Status of the Camp: The Practice and Iconography of Women's Public Sand Drawing in Balgo, W.A., in: The Australian Journal of Anthropology 8 (1), 1997, S. 104ff

White, Judith: Albert Namatjira: Wanderer No more, in: Australian Art Collector 13, 2000, S. 110-113

White, Judith: Wide Awake Dreaming, Interview with Hetti Perkins, in: Look (Art Gallery Society of New South Wales), April 2000, S. 14-19, ISSN 1442-4185