Aboriginal Art Galerie Bähr
Literatur zur Kunst von Aborigines
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Die folgende Liste enthält Zeitschriftaufsätze, die als Kopien in der Galerie vorhanden sind.
Art in action: The Sea of Hands. In: Australian Art Collector 13, 2000, S. 116
Benjamin, Roger. ´The Work is the Statement´: an Interview with Gabrielle Pizzi. In: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, ISSN 10334025
Butler, Rex. ´Lines´. Leading out of Sight? In: Australian Art Collector 13, 2000, S.86f
Butler, Sally. Arnhem Land Barks: Shape of Things to Come. In: Australian Art Collector 14, 2000, S. 102-105
Butler, Sally. Michael Nelson Tjakamarra: Unmasked. In: Australian Art Collector 13, 2000, S. 88-90
Butler, Sally. Start Now! A Guide to the Aboriginal Art Market. In: Australian Art Collector 13, 2000, S. 66-75
Cochrane, Susan. Aboriginal Women´s Exhibition, Tandanya National Aboriginal Cultural Centre. In: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, ISSN 10334025
Cochrane, Susan. Yiribana (this way): a new direction for the Art Gallery of NSW. In: Art Montly Australia 79, 1995, S. 7-9
Copeland, Julie. The land and the market: Aboriginal art in NT. In: Art Montly Australia 83, 1995, S. 4-9
Croft, Brenda L. A very brief bit of an overview of the Aboriginal Arts/cultural industry by a sort of renegade, or The cultural correctness of certain isues. In: Art Monthly Australia 56, Aboriginal in the Public Eye, Supplement, 1992-93, ISSN 10334025
Crone, Bridget. Shaun Dennison: Works in Progress. In: Australian Art Collector 13, 2000, S. 94-96
Eather, Michael. Michael Nelson Jagamara & Campfire Group. Brisbane 2000
Ellyard, Heather. Big Yam Dreaming. In: Art & Australia 36 (4) 1999, S. 490f
Giles, Kerry. International Shame, Artists´ Week, Adelaide Festival 1992. In: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, ISSN 10334025
Green, Jenny. Emily Kame Kngwarrray. An accidental modernst? In: Artlink, Vol. 20, Nr. 1, 2000, S. 17-19
Hayward, Bevan. A Printmaker in North America. In: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, ISSN 10334025
Ingram, Terry. Full Circle. Aboriginal Art turns market corner. In: Australian Art Collector 13, 2000, S. 82-83
Isaacs, Jennifer. Ngaraka-shrine for the lost Koori. In: Art Monthly Australia 135, 2000, S. 25f
Isaacs, Jennifer. The Public Face of Aboriginal Art in the 70s and 80s. In: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, ISSN 10334025
James, Bruce. Julie Dowling: Unflinching Portraiture. In: Australian Art Collector 14, 2000, S. 128
Johnson, V., Is there a gender issue in Aboriginal art? In: Art and Australia, 32, 3, S. 350-357, 1995
Judy Watson in Italy. In: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, ISSN 10334025
Kavanagh, John. The Long Boom. But How Long Can it Last?. In: Australian Art Collector 4, 2000, S. 56-58
Kean, John. Aboriginal artists in New York. In: Art & Australia 26 (4) 1989, S. 571-574
Keringke Arts in Aoteoroa New Zealand. In: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, ISSN 10334025
King, Victoria. Utopia now. A journey to Emily´s country. In: Art & Australia 37 (4) 2000, S. 524f
King-Smith, Leah. The Nineteenth Century photographs in Patterns of Connection. In: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, ISSN 10334025
Kleinert, Sylvia. Another Aboriginal art. In: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, ISSN 10334025
Langton, Marcia. The two women looked back over their shoulders & lamented leaving their country: detached comment (recent urban) & symbolic narrative (traditional). In: Art Monthly Australia Nr. 56, Aboriginal Art in the Public Eye, Supplement,1992-93
Leigh, Michael. Polemics at the Pictures brokering the indigenous image. In: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, ISSN 10334025
Lendon, Nigel. Having a History: Development and Change in the Paintings of the Story of the Wagilag Sisters. In: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, ISSN 10334025
McCulloch-Uehlin, Susan. Ten of the Best. Where to begin collecting Aboriginal art. In: Australian Art Collector 13, 2000, S. 78-80
McLean, Ian. Home and away: H2O at the Lawrence Wilson Gallery. In: Art Monthly Australia 128, 2000, S. 13ff
McNeill, David. Reception. In: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, ISSN 10334025
McQueen, Humphrey. Art can reveal but never resolve. In: Art Monthly Australia 128, 2000, S. 5ff
McQueen, Humphrey. Divining water Dreaming. In: Art Monthly Australia 134, 2000, S.8ff
McQueen, Humphrey. Rates of exchange. In: Art Monthly Australia 128, 2000, S. 8ff
McQueen, Humphrey. Suburban urbane (Lin Onus urban dingo). In: Art Monthly Australia 134, 2000, S.18ff
Mellor, Doreen. Review ´Beyond the Pale´. In: Art & Australia 38 (1) 2000, S. 175f
Morphy, Howard. Gaps in collections and spaces for exhibition - reflections on the acceptance of Aboriginal ´art´ in Europe and Australia. In: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, ISSN 10334025
Mundine, Djon, Spot the Primitive. In: Art Monthly Australia, Aboriginal Art in the Public Eye, Supplement, 56, 1992/1993
Mundine, Djon. Aboriginal Art: An Art of Installation. In: Postwest 18, 2001, S.42-48
Mundine, Djon. David Malangi. In: Art & Australia 38 (2) 2000, S. 69
Newman, Judith. Dreamings: The Art of Aboriginal Australia. In: Art & Australia 26 (4) 1989, S. 563-570
Nicholls, Christine und North, Ian. GST blues in the Balgo Hills. In: Art Monthly Australia 133, 2000, S. 25ff
Nicholls, Christine. Bibliofile. In: Art Monthly Australia 133, 2000, S. 34ff
Nicholls, Christine. Dorothy Napangardi. In: Art Monthly Australia 136, 2000, S. 8-11
Nicholls, Christine. Indigenous Australian art and the stolen generation. In: Artlink, Vol. 20, Nr. 1, 2000, S.36-39
Nicholls, Christine. Reconciling Accounts. From Ethnokitsch to Fine Art. In: Australian Art Collector 13, 2000, S. 104-108
Nicholls, Christine. Shock of the Old: Yupinya Nampitjin. In: Australian Art Collector 15, 2001, Gadfly Media Publications, Sydney
O´Ferrall, Michael. What happened after the Cup way out West. In: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, ISSN 10334025
Perkins, Hetti und Fink, Hannah. Covering Ground. The corporeality of landscape. In: Art & Australia 38 (1) 2000, S. 75-83
Perkins, Hetti und Watson Ken. Papunya Tula: Genesis & Genius. In: Australian Art Collector 13, 2000, S. 60-63
Perkins, Hetti. Comments on Whatu Aho Rua: A Weaving Together of Traditional and Contemporary Taonga. In: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, ISSN 10334025
Quaill, Avril. Queenie McKenzie. In: Art & Australia 36 (4) 1999, S. 493
Spunner, Suzanne. Two laws... One big spirit. Rusty Peters & Peter Adsett. In: Art Monthly Australia 135, 2000, S. 28ff
Taylor, Luke. Contemporary Aboriginal art at the Australian National Gallery. In: Art & Australia (26) 4 1989, S. 589-595
The Big Canvas. Painting Cockatoo Creek Country. In: South Australian Museum, Adelaide, Outreach Education Service, o.J.
Travis, Lara. Tracey Moffatt. In: Art & Australia 37 (4) 2000, S. 548-555
White, Judith. Albert Namatjira: Wanderer No more. In: Australian Art Collector 13, 2000, S. 110-113
Wide Awake Dreaming. Interview with Hetti Perkins, Curator of Papunya Tula: Genesis and Genius. In: Australian Art. Look Magazine Special, Art Gallery Society of New South Wales, Sydney, April 2000
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