Weitere Literatur
(nicht in unserem Bestand)

Annas, Marianna: Art, Originality and Authenticity, in: Periphery 33, 1997, S. 6-8, ISSN1034-0580

Art in action: The Sea of Hands, in: Australian Art Collector 13, 2000, S. 116

Bähr, Elisabeth: Starke Frauen, starke Kunst, in: Frauensolidarität 2, 2002, Wien, S. 14-15

Benjamin, Roger: 'The Work is the Statement': an Interview with Gabrielle Pizzi, in: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, S. 25-26, ISSN 10334025

Butler, Rex: 'Lines'. Leading out of Sight?, in: Australian Art Collector 13, 2000, S.86f

Butler, Sally: Arnhem Land Barks - Shape of Things to Come, in: Australian Art Collector 14, 2000, S. 102-105

Butler, Sally: Michael Nelson Tjakamarra - Unmasked, in: Australian Art Collector 13, 2000, S. 88-90

Butler, Sally: Start Now! A Guide to the Aboriginal Art Market, in: Australian Art Collector 13, 2000, S. 66-75

Carver, Antonia: Naturally cultured / culturally natured. Recent dialogue between Aboriginal art and the environment, in: Periphery 26, 1996, S. 10-13

Cochrane, Susan: Aboriginal Women's Exhibition, Tandanya National Aboriginal Cultural Centre, in: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, S. 36-37, ISSN 10334025

Cochrane, Susan: Yiribana (this way) - a new direction for the Art Gallery of NSW, in: Art Montly Australia 79, 1995, S. 7-9

Copeland, Julie: The land and the market: Aboriginal art in NT, in: Art Montly Australia 83, 1995, S. 4-9

Croft, Brenda L.: A very brief bit of an overview of the Aboriginal Arts/cultural industry by a sort of renegade, or The cultural correctness of certain isues, in: Art Monthly Australia 56, Aboriginal in the Public Eye, Supplement, 1992-93, S. 20-22

Crone, Bridget: Shaun Dennison - Works in Progress, in: Australian Art Collector 13, 2000, S. 94-96

Denholm, Michael: The Artist as Detective. The Art of Julie Gaugh, in: Periphery 33, 1997, S. 23-25, ISSN1034-0580

Dussart, Francoise: Shown but not Shared, Presented but not Proffered: Redefining Ritual Identity among Warlpiri Ritual Performers, 1990-2000, in: The Australian Journal of Anthropology 15 (3), 2004, S. 253ff

Eather, Michael: Michael Nelson Jagamara & Campfire Group, Brisbane 2000

Eccles, Jeremy: Hector Jandany, in: Art & Australia 44 (3), Autumn 2007, S. 356

Ellyard, Heather: Big Yam Dreaming, in: Art & Australia 36 (4), 1999, S. 490f

Foley, Fiona: On the Power & Beauty of Political Art, in: Art Monthly Australia 211, May 2008, S. 22-24

Gigler, Elisabeth: Indigenous Australian Art Photography: an Intercultural Approach, in: Zeitschrift für Australienstudien, 21-22, 2007/2008, S. 57-64, ISSN 1617-990

Giles, Kerry: International Shame, Artists' Week, Adelaide Festival 1992, in: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, S. 45-46, ISSN 10334025

Grau, Andrée: On the Acquisition of Knowledge: Teaching Kinship through the Body among the Tiwi of Northern Australia, in: V. Keck (Hg.): Common Worlds and Single Lives: Constituting Knowledge in Pacific Societies, Berg, Oxford 1998, S. 71-93

Green, Jenny: Emily Kame Kngwarrray. An accidental modernst?, in: Artlink 20 (1), 2000, S. 17-19

Grishin, Sasha: Ikuntji Art Centre. Haasts Bluff, in: Art Collector 46, 2008, S. 204-205, ISSN 1328-9586

Hampson, Jane: Doreen Reid Nakamarra. Shimmering Lands, in: Art Collector 46, 2008, S. 148-153, ISSN 1328-9586

Hinkson, Melinda: New Media Projects at Yuendumu: inter-cultural engagement and self-determination in an era of accelerated globalization, in: Journal of Media and Cultural Studies, 16 (2), 2002, S. 201-220, ISSN 1030-4312, DOI 10.1080/1030431022013876 9

Ingram, Terry: Full Circle. Aboriginal Art turns market corner, in: Australian Art Collector 13, 2000, S. 82-83

Isaacs, Jennifer: Ngaraka-shrine for the lost Koori, in: Art Monthly Australia 135, 2000, S. 25f

Isaacs, Jennifer: The Public Face of Aboriginal Art in the 70s and 80s, in: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, S. 23f, ISSN 10334025

James, Bruce: Julie Dowling: Unflinching Portraiture, in: Australian Art Collector 14, 2000, S. 128

Johnson, Vivien: Is there a gender issue in Aboriginal art? in: Art and Australia 32 (3), 1995, S. 350-357

Jorgenson, Darren: Deep Time: Nuclear Monuments & Aboriginal Art, in: Artlink 29 (1), 2009, S. 40-42, ISSN 0727-1239

Judy Watson in Italy, in: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, S. 39, ISSN 10334025

Kavanagh, John: The Long Boom. But How Long Can it Last?, in: Australian Art Collector 4, 2000, S. 56-58

Kean, John: Aboriginal artists in New York, in: Art & Australia 26 (4), 1989, S. 571-574

Keringke Arts in Aoteoroa New Zealand, in: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, S. 35f, ISSN 10334025

King, Victoria: Utopia now. A journey to Emily's country, in: Art & Australia 37 (4), 2000, S. 524f

King-Smith, Leah: The Nineteenth Century photographs in Patterns of Connection, in: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, S. 41, ISSN 10334025

Kleinert, Sylvia: Another Aboriginal art, in: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, S. 44f, ISSN 10334025

Kozeluh, Narayan: Custodians of the Land, in: Craft Arts International, 53, 2003, S. 46ff, ISSN 1038-846X

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Langton, Marcia: Introduction: culture wars, in: Michele Grossman (Hg.): Blacklines:Contemporary Critical Writing by Indigenous Australians, Melbourne University Press, Melbourne 2003, S. 81-91

Langton, Marcia: The two women looked back over their shoulders & lamented leaving their country: detached comment (recent urban) & symbolic narrative (traditional), in: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement,1992-93, S.7-9

Langton, Marcia: The valley of the dolls: Black humuor in the art of Destiny Deacon, in: Art and Australia 35 (1), 1997, S. 100-107

Leigh, Michael: Polemics at the Pictures brokering the indigenous image, in: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, S. 42-44, ISSN 10334025

Lendon, Nigel: Having a History - Development and Change in the Paintings of the Story of the Wagilag Sisters, in: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, S. 13-15, ISSN 10334025

Martin-Chew, Louise: Darby Jampijinpa Ross - Make it good for the people, in: Art Monthly Australia 216, Summer Issue, December 2008 to February 2009, S. 5-8

McCulloch-Uehlin, Susan: Ten of the Best. Where to begin collecting Aboriginal art, in: Australian Art Collector 13, 2000, S. 78-80

McLean, Ian: Dreamtime, in: Artlink 29 (1), 2009, S. 16-19, ISSN 0727-1239

McLean, Ian: Home and away: H2O at the Lawrence Wilson Gallery, in: Art Monthly Australia 128, 2000, S. 13ff

McLean, Ian: The Aura of Origin: Ghouls and Golems in Gordon Bennett's Art, in: Artlink 21 (4), 2001, S. 24-29

McNeill, David: Reception, in: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, S. 18f, ISSN 10334025

McQueen, Humphrey: Art can reveal but never resolve, in: Art Monthly Australia 128, 2000, S. 5ff

McQueen, Humphrey: Divining water Dreaming, in: Art Monthly Australia 134, 2000, S.8ff

McQueen, Humphrey: Rates of exchange, in: Art Monthly Australia 128, 2000, S. 8ff

McQueen, Humphrey: Suburban urbane (Lin Onus urban dingo), in: Art Monthly Australia 134, 2000, S.18ff

Megaw, Vincent: Dot & Circle - Paradox & Politics, in: Art-Network 13, Spring 1984, S. 55-61, ISSN 01584022

Mellor, Doreen: Review 'Beyond the Pale', in: Art & Australia 38 (1), 2000, S. 175f

Milpurrurru (Ganalbingu), George: Bark Painting. A Personal View, in: Wally Caruana (Hg.): Windows on the dreaming: Aboriginal paintings in the Australian National Gallery, Ellsyd Press, Sydney 1989, Ausst. Kat., S. 18-20

Morphy, Howard: Changing with the times, in: Howard Morphy: Ancestral Connections: Art and an Aboriginal System of Knowledge, University of Chicago Press, Chicago and London 1991, ISBN 0226538656, S. 181-213

Morphy, Howard: Gaps in collections and spaces for exhibition - reflections on the acceptance of Aboriginal 'art' in Europe and Australia, in: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, S. 10-12, ISSN 10334025

Mundine, Djon: Aboriginal art competitions and ethical dilemmas and mining companies, in: Artlink 29 (1), 2009, S. 73-75

Mundine, Djon: Aboriginal Art: An Art of Installation, in: Postwest 18, 2001, S.42-48

Mundine, Djon: David Malangi, in: Art & Australia 38 (2), 2000, S. 69

Mundine, Djon: Painters of the Wagilag Sisters Story, in: Periphery 33, 1997, S. 12-16, ISSN1034-0580

Mundine, Djon: Spot the Primitive, in: Art Monthly Australia, Aboriginal Art in the Public Eye, Supplement, 56, 1992/1993, S. 5-6

Murnane, Gerald: Sista brevet till en brorsdotter, in: Artes. Tidskrift för Litteratur, Konst och Musik 4, 2002, Arg. 28, Stockholm, ISSN 03450015

Newman, Judith: Dreamings - The Art of Aboriginal Australia, in: Art & Australia 26 (4), 1989, S. 563-570

Nicholls, Christine und North, Ian: GST blues in the Balgo Hills, in: Art Monthly Australia 133, 2000, S. 25ff

Nicholls, Christine: Bibliofile, in: Art Monthly Australia 133, 2000, S. 34ff

Nicholls, Christine: Dorothy Napangardi, in: Art Monthly Australia 136, 2000, S. 8-11

Nicholls, Christine: Reconciling Accounts. From Ethnokitsch to Fine Art, in: Australian Art Collector 13, 2000, S. 104-108

Nicholls, Christine: Shock of the Old: Yupinya Nampitjin, in: Australian Art Collector 15, 2001

O'Ferrall, Michael: What happened after the Cup way out West, in: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, S. 16-18, ISSN 10334025

O'Riordan, Maurice: Soiled with multiple visions. Cross-cultural spiritual politics, in: Periphery 33, 1997, S. 3-5, ISSN1034-0580

Perkins, Hetti und Fink, Hannah: Covering Ground. The corporeality of landscape, in: Art & Australia 38 (1), 2000, S. 75-83

Perkins, Hetti und Watson Ken: Papunya Tula: Genesis & Genius, in: Australian Art Collector 13, 2000, S. 60-63

Perkins, Hetti: Comments on Whatu Aho Rua: A Weaving Together of Traditional and Contemporary Taonga, in: Art Monthly Australia 56, Aboriginal Art in the Public Eye, Supplement, 1992-93, S. 38 ISSN 10334025

Quaill, Avril: Queenie McKenzie, in: Art & Australia 36 (4), 1999, S. 493

Ryan, Judith: George Tjungurrayi, Art & Australia 44 (4), 2007, S. 582ff

Scholes, Luke: Kiwirrkura women - The shifting shape of Western Desert painting, in: Art & Australia 46 (3), 2009, S. 498-505

Silver, Anneke: Spinifex, Ochres and the Land, in: Periphery 33, 1997, S. 28-29, ISSN1034-0580

South Australian Museum (Hg.): The Big Canvas. Painting Cockatoo Creek Country, in: South Australian Museum, Adelaide, Outreach Education Service, o.J.

Spunner, Suzanne: Two laws... One big spirit. Rusty Peters & Peter Adsett, in: Art Monthly Australia 135, 2000, S. 28ff

Strocchi, Marina: Long Tom Tjapanangka, in: Art & Australia 44 (3), Autumn 2007, S. 357

Taylor, Luke: Contemporary Aboriginal art at the Australian National Gallery, in: Art & Australia 26 (4), 1989, S. 589-595

Taylor, Russel: About Aboriginality: questions for the uninitiated, in: Identity and Gender in Hunting and Gathering Societies, Seri Ethnological Studies 56, Ian Keen and Takako Yamada (Hg.), National Museum of Ethnology, Osaka 2001, S. 133-150

Travis, Lara: Tracey Moffatt, in: Art & Australia 37 (4), 2000, S. 548-555

Watson, Christine: Re-embodying Sand Drawing and Re-evaluating the Status of the Camp: The Practice and Iconography of Women's Public Sand Drawing in Balgo, W.A., in: The Australian Journal of Anthropology 8 (1), 1997, S. 104ff

White, Judith: Albert Namatjira: Wanderer No more, in: Australian Art Collector 13, 2000, S. 110-113

White, Judith: Wide Awake Dreaming, Interview with Hetti Perkins, in: Look (Art Gallery Society of New South Wales), April 2000, S. 14-19, ISSN 1442-4185

Yunupingu, Galarrwuy: The Black/White Conflict, in: Wally Caruana (Hg.): Windows on the dreaming: Aboriginal paintings in the Australian National Gallery, Ellsyd Press, Sydney 1989, Ausst. Kat., S. 13-17