Viewing ofReference Material
Art students and others conducting research are welcome to make an appointment with us to view the works listed in the adjacent table.
It is also recommended for Europeans to use the online search system at KVK (Karlsruher Virtueller Katalog), in which all German and many European scholarly libraries list their available references. Sometimes the works are available for loan.
A list of further references about Australian art, which however are not yet in our reference collection, is also maintained and continually extended.
Literature in our Collection
(M-Z)
Massola, Catherine: "Country, cattle and cooperation: On the potential of Kila in Warmun, Western Australia", TAJA The Australian Journal of Anthropology 00, 2024, S. 1-17, DOI: 10.1111/taja.12511
Table of Contents ¦ Cover Text ¦ Review⁄Abstract
Table of Contents
1. Introduction -2-
2. From Grasses to Grazing -4-
3. Activating the Past -6-
4. Kila Nascency -7-
5. Dissecting Cooperation -9-
6. The Fulfilment of Kila -9-
7. Conclusion -13-
Acknowledgements -14-
Endnotes -14-
References -14-
Review⁄Abstract
Abstract: Gija people in the East Kimberley community of Warmun (Western Australia) negotiate their engagement with pastoralism with varying degrees of primacy. Through ethnography and oral histories, I explore how Gija people manage pastoralism and its effects through acts of accommodation, adoption, refusal and innovation. I begin by outlining the development of the colonial pastoral industry in Western Australia, state and federal legislation that withheld and underpaid wages to Aboriginal pastoral workers and cattle-killing practices and protective measures. I use Kila, the bovine species killed for local consumption, as an entry point to explore intercultural relations and Gija relative autonomy within this context. Analysing Kila etymologically and through an ethnographic case study involving its procurement, dissection, and distribution, I find that cooperation is implemented to enable the Kila event. Kila emerges as both a nexus for intercultural mutuality and as a facilitator of distinct opportunities for Gija social and cultural maintenance and recreation.