To find further literature, Europeans should consider using KVK (Karlsruher Virtueller Katalog), which catalogues most German and international scientific library resources.
Magazine Articles
in our collection
"Aboriginal Art - an Art Market Report special feature. A Round Table Discussion", The Australian Art Market Report 14, Summer 2004/2005, S. 20-28, ISSN 1449-1915 |
"Awakening Objects and Indigenizing the Museum. Stephen Gilchrist in Conversation with Henry F. Skerritt", Contemporaneity: Historical Presence in Visual Culture 5 (1) 2016 "Agency in Motion", S. 108-121, ISSN 2155-1162, DOI 10.5195/contemp.2016.183 |
ABC Radio National: Black Art Gold Rush, 25 September 2005 |
Anderson, Chris: "Was god ever a 'boss' at Wujal Wujal? Lutherans and Kuku-Yalanji: A socio-historical analysis". In: The Australian Journal of Anthropology 21, 2010, S. 33-50 |
Anderson, Sallie: "Rejecting the Rainbos Serpent: An Aboriginal Artist's Choice of the Christian God as Creator", The Australian Journal of Anthropology 12 (3) 2001, S. 291-301 |
Annas, Marianna: "Art, Originality and Authenticity", Periphery 33, Summer 1997/1998, S. 6-8, ISSN 1034-0580 |
Araluen Arts Centre (ed.): Desert Mob 2019, Mparntwe (Alice Springs) 2019, exh. cat., ISSN 2652-1849 |
Araluen Arts Centre (ed.): Desert Mob 2021. Celebrating 30 years, Mparntwe (Alice Springs) 2021, exh. cat., ISSN 2652-1849 |
Artlink 31 (2), June 2011: Indigenous. Beauty and Terror, ISSN 0727-1239 |
Artlink 32 (2), June 2012: Indigenous. Indignation, ISSN 0727-1239 |
Artlink 37 (2) June 2017, Indigenous_Trans Cultural, ISSN 0727-1239 |
Artlink 39 (2) Juni 2019, Indigenous_Storrytelling in a Digital World, ISSN 0727-1239 |
Artlink 40 (2) 2020, Indigenous_Kin Constellations_languages water futures, ISSN 0717-1239 |
Artlink 41 (3) December 2021, Indigenous_Visualising Sovereignty, ISSN 0727-1239 |
Austin-Brees, Diane: "Translating Christianity: Some keywords, events and sites in Western Arrernte conversion". In: The Australian Journal of Anthropology 21, 2010, S. 14-32 |
Austin-Broos, Diane: "The Meaning Of Pepe: God's Law and The Western Arrernte", Journal of Religious History 27 (3) December 2003, S. 311-328 |
Austin-Broos, Diane: "Translating Christianity: Some keywords, events and sites in Western Arrernte conversion", The Australian Journal of Anthropology 21, 2010, S. 14-32 |
Austin-Broos, Diane: "Whose Ethics? Which Cultural Contract? Imagining Arrernte Traditions Today". In: Oceania 71 (3) 2001, S. 189-200 |
Austin-Broos, Diane J.: "'Two Laws', Ontologies, Histories: Ways of Being Aranda Today", The Australian Journal of Anthropology 7 (1) 1996, S. 1-20 |
Autry, Gene: "From the desert the profits come". In: Art Monthly Australia 108, April 1998, S. 18-19 |
Bähr, Elisabeth: "Political Iconography in Indigenous Art". In: Zeitschrift für Australienstudien 27, 2013, S. 49-66, ISSN 1617-9900 |
Bähr, Elisabeth: "Starke Frauen, starke Kunst. Zeitgenössische Kunst von australischen Aborigines", Frauensolidarität 2, 2002, Wien, S. 14-15 ISSN 1023-1943 |
Behrendt, Larissa: "Ricky Maynard - Portrait of a Distant Land". In: Art Monthly Australia, 222, 1999, S.12-14 |
Bevan, A.W.R. and P. Bindon: "Australian Aborigines and meteorites". In: Records of the Western Australian Museum 18, 1996, S.93-101 |
Biddle, Jennifer: "Art under Intervention: the radical ordinary of June Walkutjukurr Richards". In: Art Monthly 227, 2010, S. 35-36 |
Bonyhady, Tim: “Colour Separation,” The Australian’s Review of Books 13, June 1998, S. 12-13 and 31 |
Britton, Stephanie: "(Art is Land), (Land is Art). Banduk Marika talks to Stephanie Britton", Artlink 16 (4) 1996, S. 16-17 |
Brooks, Geraldine: "The Painted Desert", The New Yorker, 28.07.2003 |
Budden, Chris: "Exploring Contextual Theology in Australia in Dialogue with Indigenous People", International Journal of Public Theology 2 (2008) S. 292-312, DOI: 10.1163/156973208X316180 |
Budd, Jerry: Colonialism and Race Relations in Remote Inland Australia: Observations from the Field of Australian Indigenous Studies, ab-Original 2017 (1) 2, S. 214-243 |
Bull, Gordon: "A gentle, revelatory didacticism". In: Art Monthly Australia 105, Nov. 1997, ISSN 1033-4025, S. 19-21 |
Butler, Rex: "The Impossible Painter", Australian Art Collector 2, October-December 1997, S. 42-45 |
Butler, Sally: "A Market on the Move", Australian Art Collector 2, October-December 1997, S. 38-39 |
Butler, Sally: "Op Art Now", Australian Art Collector 8, April-June 1999, S. 47-50 |
Butler, Sally: "Start Now! A Guide to the Aboriginal Art Market". In: Australian Art Collector 13, 2000, S. 66-75 |
Carroll, Alison: "Australian Art Abroad, Doing it better". In: Artlink 32 (1) 2012, S. 80-81 |
Carty, John: "Purnu, Tjanpi, Canvas - Art History in the Ngaanyatjarra Lands". In: Art Monthly 256, 2013, S. 64-68 |
Carver, Antonia: "Moving out of Place, about Time", Art & Australia 35 (3) 1998, S. 438-439 |
Cater, Melissa: "Struggling to be seen". In: Artlink 17 (4) 1996, S. 18-20 |
Chapman, Chris: “Never Make Decisions Based on Fear: The Work and Ideas of Brook Andrew”, Art and Australia 40 (3) Autumn 2003, S. 446–453 |
Chappell, Duncan and Kenneth Polk: "Fakers and Forgers, Deception and Dishonesty: An Exploration of the Murky World of Art Fraud". In: Institute of Criminology, The University of Sydney (ed.): Current Issues in Criminal Justice, Bd. 20, March 2009, ISSN 1034-5329, S. 393-412 |
Christie, Michael: "Paint a yam, eat a yam", Artlink 15 (1) 1995, S. 28-30 |
Clarke, Philip A.: "The Aboriginal Cosmic Landscape of Southem South Australia". In: Records of the South Australian Museum 29 (2), 1997, S. 125-145 |
Clark, Ian D.: "The Convincing Ground - Aboriginal massacre at Portland Bay, Victoria: fact or fiction?". In: Aboriginal History 35, 2011, S.79-109 |
Cochrane, Susan: "Yiribana (this way) - a new direction for the Art Gallery of NSW". In: Art Montly Australia 79, 1995, S. 7-9 |
Coleman, Elizabeth Burns: "Historical ironies: the Australian Aboriginal art revolution", Journal of Historiography 1, December 2009, ISSN 2042-4752 |
Congreve, Susan: "painting up big. Community painting at Yuendumu". In: Art and Australia 35 (1) 1997, S. 88-93 |
Copeland, Julie: "The land and the market: Aboriginal art in NT". In: Art Montly Australia 83, 1995, S. 4-9 |
Cowlishaw, Gillian: "Mythologising culture: Part 1: Desiring Aboriginality in the suburbs". In: The Australian Journal of Anthropology 21, 2010, S. 208-227 |
Creighton, Chad: "Guirr Guirr: The contemporary continuum". In: Art + Australia 50 (3) 2013, S. 426-433 |
Creighton, Chad: "Gurirr Gurirr: The contemporary continuum". In: Art & Australia 50 (3) 2013, S. 427-433 |
Croft, Brenda: "Blak Lik Mi". In: Art and Australia 31 (1) 1993, S. 63-67 |
Croft, Brenda L.: "I am not sorry: Beyond Capricornia". In: Art Monthly Australia 154, October 2002, S. 5-9 |
Croft, Brenda L.: "Labelled - buyer be aware", Artlink 20 (1) 2000, S. 84-85 |
Cunneen, Christ: "Criminology, Criminal Justice and Indigenous People: A Dysfunctional Relationship?". In: Institute of Criminology, The University of Sydney (ed.): Current Issues in Criminal Justice, Bd. 20, March 2009, ISSN 1034-5329, S. 323-336 |
Dauber, Christine: "Michael Cook - Through My Eyes: A dream of things to come, Art Monthly 245, S. 24-26 |
Davenport, Carly: "Desert Mob". In: Craft Arts International 60, 2004, S. 72-73, ISSN 1038-846X |
De Lorenzo, Catherine: "Delayed Exposure. Contemporary Aboriginal Photography", Art and Australia 31 (1) 1993, S. 57-62 |
De Lorenzo, Catherine: "Somewhere: Manuwangku life with a Nuclear Waste Dump". In Artlink 32 (4) 2012, S. 60-62 |
Denholm, Michael: "The Artist as Detective. The Art of Julie Gaugh", Periphery 33, Summer 1997/1998, S. 23-25, ISSN 1034-0580 |
Devitt, Marian: "Powerful poetic narratives", Art Monthly Australia 104, 1997, S. 19-21 |
Dewar, Mickey: "You in Your Small Corner". In: Humanities Research, Vol. XII, No 1, 2005, S.27-40 |
dpa: "Kölner Kunstmesse weist Aborigine-Kunst zurück", Die Rheinpfalz, 30.09.1998 |
Dussart, Francoise: "Shown but not Shared, Presented but not Proffered: Redefining Ritual Identity among Warlpiri Ritual Performers, 1990-2000". In: The Australian Journal of Anthropology 15 (3) 2004, S. 253-256 |
Eagle, Mary: "Traditions of Representing the Land in Aboriginal Art", Art and Australia 37 (2) 1999, S. 236-244 |
Eccles, Jeremy: "Gunybi Ganambarr – Yolngu lightning". In: Art Monthly 256, 2013, S. 12-13 |
Eccles, Jeremy: "The End of Jirrawun". In: Art Monthly Australia 245, Nov 2011, S. 32-34 |
Eickelkamp, Ute: "Kunst der Aborigines. Eine Ausstellung in der Berliner Galerie M", neue bildende kunst 9, 1994, S 78-79 |
Ellyard, Heather: "Big Yam Dreaming", Art & Australia 36 (4) 1999, S. 490-491 |
Erckenbrecht, Corinna: "Die materielle Kultur der australischen Aborigines - eine "Stein"zeit?", Gesellschaft für Australienstudien (Hg): Newsletter 14, 2000, S. 27-42 |
Erckenbrecht, Corinna: "Die vier Farben der Traumzeit - Kunst and Kultur australischer Aborigines-Frauen", Geselschaft für Australienstudien (Hg): Newsletter 12, 1998, S. 48-60 |
Erckenbrecht, Corinna: "Wissenschaftsgeschichtlicher and religionsethnologischer Streit. Hochgottglaube versus autochthone Religionsformen am Beispield der Kamilaroi, Australien", Anthropos 88, 1993, S. 517-528 |
Faulstich, Paul: "Mapping the Mythological Landscape: an Aboriginal Way of Being-in-the-World, Ethics, Place and Environment 1 (2) 1998, S. 197-221 |
Finnane, Kieran: "'Their share of the struggle': innovation & experimentation in desert arts". In: Art Monthly Australia, 260, June 2013, S. 23-25 |
Foley, Fiona: "I Speak To Cover The Mouth of Silence". In: Art Monthly 250, June 2012, S. 55-57 |
Foley, Fiona: "On the Power & Beauty of Political Art". In: Art Monthly Australia 211, May 2008, S. 22-24 |
Foley, Fiona: "When The Circus Came To Town". In: Art Monthly Australia 245, Nov 2011, S. 5-7 |
Fourmile-Marrie, Henrietta: "Bushtucker. Some ffod for thought". In: Artlink 19 (4) 1999, S. 34-37 |
Fox, Karen: "Rosalie Kunoth-Monks and the making of Jedda". In: Aboriginal History 33, 2009, S. 77-95 |
Fry, Tony and Anne-Marie Willis: "Aboriginal Art: Symptom or Success?", Art in America 77 (7) 1989, S. 197-210 |
Geczy, Adam: "Contemporary Australian Photography in Berlin. (Zeitgenössische Fotokunst aus Australian) Neuer Berliner Kunstverein (NKB)". In: Art Monthly Australia 134, October 2000, S. 23-25 |
Geczy, Adam: "Outsider/Insider: The Art of Gordon Bennett". In: Art Monthly Australia 260, June 2013, S. 26-28 |
Geczy, Adam: "The Airconditioned Desert - Curating Aboriginal Art". In: Art Monthly 250, June 2012, S.44-46 |
Genocchio, Ben: "Since the year dot", The Weekend Australian, August 12-13, 2000, S. !6-18 |
Gibson, Lorraine: "Art, Culture and Ambiguity in Wilcannia, New South Wales", The Australian Journal of Anthropology 19 (3) 2008, S. 294-313 |
Gibson, Lorraine: "Making art and making culture in far western New South Wales". In: Australian Aboriginal Studies 1, 2008, S. 67-77 |
Gigler, Elisabeth: "Indigenous Australian Art Photography: an Intercultural Approach", Zeitschrift für Australienstudien 21-22, 2007/2008, S. 57-64, ISSN 1617-990 |
Giles. Lerry (with Phillip (Piri) Everett: "Two Countries, One Weave?", Artlink 12 (2) 1992, S. 44-46 |
Gnocchio, Benjamin: "Shifting Sands - The Art of Fiona Foley". In: Eyeline Contemporary Visual Arts 41, Summer 1999, S. 18-23 |
Graham, Lloyd D.: "The Nature and Origins of the Tingari Cycle", May 2002 |
Graham, Lloyd D.: The creation of Wilkinkarra (Lake Mackay) in Pintupi/Kukatja Dreamings, Australian Aboriginal Studies 2003, 1, S. 30-38, ISSN 0729-4352 |
Green, Denise: "Painting post-Greenberg". In: Art Monthly Australia 87, March 1996, S. 20-23 |
Green, Jennifer: "The Altyerre Story - 'Suffering Badly by Translation'". In: The Australian Journal of Anthropology 23, 2012, S.158-178, doi: 10.1111/j.1757-6547.2012.00179.x |
Grishin, Sasha: "Finding Water, Finding Life - Travels throuth the sand dunes and soak holes of Helicopter Tjungurrayi's sweeping canvasas". In: Art Collector 61, July-Sept 2012, S.130-135 |
Hamdorf, Carolynne: "Garmerrun: All our Country", Warmun 2002, Ausstellungsinformation |
Hampson, Jane: "Shimmering Lands", Australian Art Collector 46, Oct.-Dec. 2008, S. 148-153, ISSN 1328-9586 |
Harford, Sonia: "Post Colognialism", World Art 1, 1997, S. 18-19 |
Harkins-Cross, Rebecca: Wer ist hier der Störenfried? In: Art - Das Kunstmagazin 6, 2022, S. 36-47, ISSN 0173-2781 |
Healy, Jacqueline: "Art from the heart?", Art Monthly Australia 122, August 1999, S. 13-15 |
Healy, Jacqueline: "Motika' Dreaming". In: Art Monthly Australia 233, Sept 2010, S. 32-35 |
Healy, Jacqueline: "The day the art world came to Balgo", Art Monthly Australia 171, July 2004, S. 34-36 |
Healy, Robyn: "Collecting Aboriginal Textiles", Australian Antique Collector, December 1998, S. 136-139, ISSN 0727-7253 |
Henle, Susanne: "Und sie ist doch wieder gewachsen"; "Nicht gefördert. Symposium zur Aborigine-Kunst"; kcd: "Nicht zugelassen. Einzelne Künstler bei der Art Cologne", Frankfurter Allgemeine Zeitung, 07.11.1998 |
Henle, Susanne (S.H.): "Ethnographica auf der Art Cologne. Keine Kunst?", Frankfurter Allgemeine Zeitung, Nr. 229, 02.10.1998, S. 41 |
Hinkson, Melinda: "New Media Projects at Yuendumu: inter-cultural engagement and self-determination in an era of accelerated globalization". In: Journal of Media and Cultural Studies 16 (2) 2002, S. 201-220, ISSN 1030-4312, DOI 10.1080/1030431022013876 9 |
Hinkson, Melinda: "What's in a dedication? On being a Warlpiri DJ". In: The Australian Journal of Anthropology 15 (2), 2004, S.143-162, ISSN 1035-8811 |
Hoffie, Pat: "Fiona Foley. Knowing where to look". In: Artlink 21 (4), S. 60-65 |
Holleuffer, Henriette von: Erzählte Welt. Indigenous Australian Art. Narrated Wold, Rezension in: Art Aurea 53, Herbst 2023, S. 44-53, ISSN 4191814-012009 |
Hutak, Michael: "Hodges, Christopher: Utopian Vision", Australian Art Collector 8, April-June 1999, S. 62-66 |
Hutchings, Patrick: "Life and the spirit in which it is lived", The Age, 14.01.2006 |
Ingram, Terry: "Full Circle. Aboriginal Art turns market corner". In: Australian Art Collector 13, 2000, S. 82-83 |
Ingram, Terry: "Obsessions with rarities". In: Art & Australia 36 (2) 1998, S. 251 |
Isaacs, Jennifer: "Bush Gardens", Art and Australia 35 (4) 1998, S. 511-517 |
Isaacs, Jennifer: "Indigenous Designs on Australia", Art & Australia 37 (1) 1999, S. 66-74 |
Isaacs Jennifer: "International exposure of Aboriginal art 1970–2001". In: Art & Australia 39 (4) 2002, S. 548–557 |
Isaacs, Jennifer: "Ngaraka-shrine for the lost Koori". In: Art Monthly Australia 135, 2000, S. 25-26 |
Isaacs, Jenniger: "Wandjuk Djuwakan Marika, d 1929-1987", Australian Indigenous Art News 1(2) 1999, S. 4, ISSN 1443-0126 |
Izett, Erica: "Eubena Nampitjin, c. 1923-2013". In: Art Monthly Australia 262, August 2013, S. 48-49, ISSN 1033-4025 |
Izett, Erica: "Sitting Down with Indigenous Artists". In: Artlink 25 (2) 2005, S. 26-29 |
Jenkins, Susan: "No Ordinary Place: The Art of David Malangi". In: Craft Arts International 62, 2004, S. 100-101, ISSN 1038-846X |
Johnson, Vivien: "Is there a gender issue in Aboriginal art?". In: Art and Australia 32 (3), 1995, S. 350-357 |
Jorgensen, Darren: "Bagging Aboriginal Art". In: arena 111, 2011, S. 38-42, ISSN 1039-1010 |
Jorgensen, Darren: "On Cross-Cultural Interpretations of Aboriginal Art". In: Journal of Intercultural Studies 29 (4), 2008, S. 413-426 |
Judith Ryan in conversation with Brook Andrew, NGV Magazin 3, 2017, S. 54-57 |
Jung, Sujin: "Abolishing Whiteness: The Art World’s Reception of Emily Kame Kngwarreye", Academia Letters, Article 942, 2021, DOI 10.20935/AL942 |
Kalina, Richard: "The Dream of Aboriginal Art". In: Art in America, April 2007, S. 96-103 |
Kamali Land Council: "Mowaljarlai" and Malnic, Jutta: "Mowaljarlai talks to Ulli Beier", Art & Australia 35 (3) 1998, S. 348-350 |
Kavanagh, John: "The Long Boom. But How Long Can it Last?". In: Australian Art Collector 4, 2000, S. 56-58 |
Keary, Anne: "Christianity, colonialism, and cross-cultural translation: Lancelot Threlkeld, Biraban and the Awakabal". In: Aboriginal History 33, 2009, S.117-155, ISSN 0314-8769 |
Kelada, Odette and Madeleine Clark: "Bodies on the Line. Repossession and 'Talkin' up' in Aboriginal women's art". In: Artlink 33 (3) 2013, S. 37-41 |
Kerr, Joan: "Papunya Tula. A great contemporary art movement". In: Art Asiapacific 31, 2001, S. 31-33 |
Kidd, Courtney: "Promoting contemporary Indigenous art. NATSIAA: The top End's thriving art award". In: Art & Australia 39 (1) 2001, S. 60-63 |
Kidd, Courtney: "Utopia Art Sydney. Representing leading contemporary Australian artists". In: Art & Australia 4, 2002, S. 598-599 |
Kimber, Dick: "M. N. Tjapaltjarri". In: Art & Australia 36 (3) 1999, S. 397 |
King, Victoria: "Utopia now. A journey to Emily's country". In: Art & Australia 37 (4) 2000, S. 524-525 |
Kleinert, Sylbia: "Hidden Heritage: Ronald Bull's 1962 Pentridge mural", Art Monthly Australia 245, November 2011, S. 8-11 |
Kleinert, Sylvia: "Aboriginal enterprises - negotiating an urban aboriginality". In: Aboriginal History 34, 2010, S.171-196, ISSN 0314-8769 |
Koop, Stuart: "Fiona Foley. Bare Bones". In: Art Asia Pacific, 1997, S. 38-44 |
Kozeluh, Narayan: "Custodians of the Land". In: Craft Arts International, 53, 2003, S. 46-49, ISSN 1038-846X |
Kronenberg, Simeon and Gabrielle Pizzi in conversation: "Why Gabrielle Pizzi has changed her mind about Aboriginal art", Art Monthly Australia 85, 1995, S. 7-9 |
Lane, Marcus B., Helen Ross, A.P. Dale and Roy E. Rickson: "Sacred land, mineral wealth, and biodiversity at Coronation Hill, Northern Australia: indigenous knowledge and SIA". In: Impact Assessment and Project Appraisal 21 (2), EPSCO Publishing 2003, S. 89-98 |
Langsam, David: "Aboriginal art: Australia's hidden resource", Art Monthly Australia 87, March 1996, S. 4-5 |
Laseur, Carol: "BeDevil: Colonial Images, Aboriginal Memories". In: Span (Journal of the South Pacific Assoc for Cwlth Lit and Language Studies) 37, 1993, ISSN 1031-0606 |
Laurie, Victoria: "Not just the usual suspects". In: The Australian, October 31, 2008 |
Lendon, Nigel: "Cross-examining Aboriginal art". In: Art Monthly Australia 108, April 1998, S. 16-17 |
Lock-Weir, Tracey: "Clifford Possum. The Divine Navigator", Art & Australia 2003, S. 603-609 |
Losche, Diane: "Shrines and statements". In: Art Asiapacific 30, 2001, S. 25-27 |
Macnamara, Shirley and Anneke Silver: "Spinifex, ochres and the land: Anneke Silver interviews Shirley Macnamara", Periphery 33, Summer 1997/1998, S. 28-29, ISSN 1034-0580 |
Magowan, Fiona: "Syncretism or Sychronicity? Remapping the Yolngu Feel of Place". In: The Australian Journal of Anthropology 12 (3) 2001, S. 275-290 |
Massola, Cate: "Jarragbu-nungu Warrambany. Flood in Warmun". In: Artlink 32 (4) 2012, S. 21-22 |
Massola, Cate: "Jarragbu-nungu Warrambany. Flood in Warmun". In: Artlink 32 (4) 2012, S. 21-22 |
Mateer, John: Naturalisation: Recent Australian art and the natural". In: Art Monthly Australia 146, December 2001-February 2002, S. 4-7 |
Maynard, Ricky: "Indomitable Spirit". In: Portrait35, March-May 2010, S. 18-21 |
McCulloch, Alan: "The Aboriginal Art Exhibition", Meanjin No. 85, vol. xx, no. 1, 1961, S. 191-193 |
McCulloch, Susan: "Not a second too soon", Australian Art Collector 6, Oct.-Dec. 1998, S. 14-15 |
McCulloch, Susan: "TELSTRA National Aboriginal and Torres Strait Islander Art Award", Australian Art Collector 2, October-December 1997, S. 37 |
McCulloch, Susan: "Yirrkala's Big Barks", Australian Art Collector 3, 1998, S. 67-68 |
McCulloch-Uehlin, Susan: "Aboriginal Art. The next wave", The Weekend Australian, September 18-19, 1999, Features S. 44-7 |
McCulloch-Uehlin, Susan: "Tapestry of talent in bush awards", The Australian, August 17, 1999, S. 10 |
McDonald, Heather: "Universalising the particular? God and Indigenous spirit beings in East Kimberley". In: The Australian Journal of Anthropology 21, 2010, S. 51-70 |
McDonald, Michelle: "The problem of criticism: Emily Kame Kngwarreye". In: Art Monthly Australia 108, April 1998, S. 20-21 |
McIntosh, Ian: "Anthropology, Self-determination and Aboriginal Belief in the Christian God", Oceania 67 (4) 1997, S. 273-288 |
McLean, Bruce: "Sally Gabori's mind-mapped landscapes". In: Art + Australia 49 (3) 2012, S. 478-485 |
McLean, Ian: "9 shots 5 stories - Imants Tillers and Indigenous difference". In: Art Monthly Australia 228, 2010, S.13-16 |
McLean, Ian: "Home and away: H2O at the Lawrence Wilson Gallery". In: Art Monthly Australia 128, 2000, S. 13-15 |
McLean, Ian: "saltwaterfreshwater". In: Artlink 27 (2) 2007 |
McLennon, Ethel, Madeline Purdie and Cate Massola: "Linga yarren yilwarraya dam warna-warnarram. We remember forever that from long ago (ngarranggarnin)", Artlink 43 (3) 2023, S. 44-49 |
McPhee, John: "Sally Gabori - Feeling the Landscape". In: Art Monthly 249, May 2012, S. 5-9 |
McQueen, Humphrey: "Art can reveal but never resolve". In: Art Monthly Australia 128, 2000, S. 5-7 |
McQueen, Humphrey: "Divining water Dreaming". In: Art Monthly Australia 134, 2000, S.8-10 |
Mia, Tjalaminu and Morgan, Sally: "Going Home to Country. Judy Watson", Art & Australia 41 (4) 2004, S. 540 |
Miller, Carie: "Is it time we stopped talking about Aboriginal Art?". In: Art Collector 57, Jul-Sep 2011, S.104-105 |
Moreton-Robinson, Aileen: "The possessive logic of patriarchal white sovereignty: The High Court and the Yorty Yorta decision". In: Boderlands ejournal 2 (2) 2004 |
Moreton, Romaine: "Places that Name us", Artlink 31 (1) 2011, S. 60-61 |
Morphy, Howard: "Mutual Conversation? The Methodist Church and the Yolngu, with Particular Reference to Yirrkala", Humanities Research XII (1) 2005, S. 41-53 |
Morphy, Howard: "Seeing Aboriginal Art in the Gallery", Humanities Research 8 (1) 2001, S. 37-50 |
Morphy, Howard: "The Methodist Church and the Yol?u, with particular reference to Yirrkala". In: Humanities Research (Bigotry and Religion in Australia, 1865-195) Vol XII, No 1, 2005, S. 27-40 |
Morrell, Timothy: "An agent for change - Djambawa Marawili". In: Art Collector, 64, Apr-June 2013, S. 118-121 |
Morrell, Timothy: "Nyapanyapa Yunipingu: Painting With Light". In: Art Collector 58, Oct-Dec 2011, S. 136-143 |
Morrell, Timothy: "Timothy Cook - As Rituals Fade from Memory". In: Art Collector 62, 2012, S.132-135 |
Mountford, Charles P.: "An Anyamatana legend of the Pleiades". In: The Victorian Naturalist, Band LVI (6), No. 670, Oct. 1939, S. 103-104 |
Mundine, Djon: "Aboriginal Art: An Art of Installation". In: Postwest 18, 2001, S.42-48, ISSN 1323-1499 |
Mundine, Djon: "Absence of presence on Action peninsula". In: Art Monthly Australia 139, May 2001, S. 21-22 |
Mundine, Djon: "Adam Hill - Not a Proppa Aborigine". In: Art Monthly Australia 239, May 2011, S. 21-23, ISSN 1033-4025 |
Mundine, Djon: "Between two worlds". In: Art Monthly Australia 150, June 2002, S. 25-26 |
Mundine, Djon: "Ich bin ein Aratjara", Art Monthly Australia 75, November 1994 |
Mundine, Djon: "Painters of the Wagilag Sisters Story", Periphery 33, Summer 1997/1998, S. 12-16, ISSN 1034-0580 |
Mundine, Djon: "The Food Chain Starts Here. Larrtha'puy - from the mangroves, Artlink 15 (1) 1995 |
Mundine, Djon: "Tjampitjinpa", Art & Australia 35 (3) 1998, S. 351 |
Mundine, Djon: "Travelling from Utopia". In: Art Monthly 250, June 2012, S. 39-43 |
Murdoch, Anna King: "Now it's their time", The Age, 29 March 1999, S. 17 |
Murnane, Gerald: "Sista brevet till en brorsdotter", Artes. Tidskrift för Litteratur, Konst och Musik 4, 2002, Arg. 28, Stockholm, S. 34-45, ISSN 03450015 |
Murphy, Joy: "The Lie of the Land". In: Artlink 17 (3) 1997, S. 8-9 |
Museum Tinguely (ed.): "rarrk" Journal, Basel 2006 |
Musharbash, Yasmine: "Marriage, love magic, and adultery: Warlpiri relationships as seen by three generations of anthropologists". In: Oceania 80 (3) 2010, S. 272-288, ISSN 0029-8077 |
Myers, Fred: "All around Australia and overseas: Christianity and Indigenous identities in Central Australia 1988". In: The Australian Journal of Anthropology 21, 2010, S. 110–128 |
Neale, Margo: "'Collected' for Centuries", Australian Art Collector 3, 1998, S. 62-64 |
Nelson, Robert: "Crisis of the exotic", The Age, 25.02.1995 |
Newstead, Adrian: "Cowboy". In: Art & Australia 36 (3) 1999, S. 395-397 |
Nicholls, Christine: "Digital Indigeneity", Realtime 52, 2002 |
Nicholls, Christine: "Digital strategies", Realtime 51, 2002 |
Nicholls, Christine: "God and Country: An Analysis of Works by Three Contemporary Indigenous Artists". In: Australian and New Zealand Journal of Art 4 (1) 2003, S. 41-60, ISSN 1443-4318 |
Nicholls, Christine: "Home and away with Kathleen and Violet Petyarre, or, Travels with my aunts". In: Art Monthly Australia 138, April 2001, S. 16-19 |
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