Einsicht in den Literaturbestand
Kunststudierende und Kunstinteressierte können die nebenstehende Literatur bei uns nach Vereinbarung eines Termins einsehen.
Empfehlenswert ist auch die Suche der Literatur im KVK (Karlsruher Virtueller Katalog), in dem Sie alle deutsche und viele internationale wissenschaftliche Bibliotheken durchsuchen und die Publikation ggf. bestellen können.
Eine Liste weiterer Literatur über australischer Kunst (die sich noch nicht im Bestand aboriginal-art.de befindet) wird ständig aktualisiert.
Zeitschriftenartikel
in unserem Bestand
"Aboriginal Art - an Art Market Report special feature. A Round Table Discussion", The Australian Art Market Report 14, Summer 2004/2005, S. 20-28, ISSN 1449-1915 |
"Awakening Objects and Indigenizing the Museum. Stephen Gilchrist in Conversation with Henry F. Skerritt", Contemporaneity: Historical Presence in Visual Culture 5 (1) 2016 "Agency in Motion", S. 108-121, ISSN 2155-1162, DOI 10.5195/contemp.2016.183 |
ABC Radio National: Black Art Gold Rush, 25 September 2005 |
Anderson, Chris: "Was god ever a 'boss' at Wujal Wujal? Lutherans and Kuku-Yalanji: A socio-historical analysis". In: The Australian Journal of Anthropology 21, 2010, S. 33-50 |
Anderson, Sallie: "Rejecting the Rainbos Serpent: An Aboriginal Artist's Choice of the Christian God as Creator", The Australian Journal of Anthropology 12 (3) 2001, S. 291-301 |
Annas, Marianna: "Art, Originality and Authenticity", Periphery 33, Summer 1997/1998, S. 6-8, ISSN 1034-0580 |
Araluen Arts Centre (Hg.): Desert Mob 2019, Mparntwe (Alice Springs) 2019, Ausst. Kat., ISSN 2652-1849 |
Araluen Arts Centre (Hg.): Desert Mob 2021. Celebrating 30 years, Mparntwe (Alice Springs) 2021, Ausst. Kat., ISSN 2652-1849 |
Artlink 31 (2), June 2011: Indigenous. Beauty and Terror, ISSN 0727-1239 |
Artlink 32 (2), June 2012: Indigenous. Indignation, ISSN 0727-1239 |
Artlink 37 (2) June 2017, Indigenous_Trans Cultural, ISSN 0727-1239 |
Artlink 39 (2) Juni 2019, Indigenous_Storrytelling in a Digital World, ISSN 0727-1239 |
Artlink 40 (2) 2020, Indigenous_Kin Constellations_languages water futures, ISSN 0717-1239 |
Artlink 41 (3) December 2021, Indigenous_Visualising Sovereignty, ISSN 0727-1239 |
Austin-Brees, Diane: "Translating Christianity: Some keywords, events and sites in Western Arrernte conversion". In: The Australian Journal of Anthropology 21, 2010, S. 14-32 |
Austin-Broos, Diane: "The Meaning Of Pepe: God's Law and The Western Arrernte", Journal of Religious History 27 (3) December 2003, S. 311-328 |
Austin-Broos, Diane: "Translating Christianity: Some keywords, events and sites in Western Arrernte conversion", The Australian Journal of Anthropology 21, 2010, S. 14-32 |
Austin-Broos, Diane: "Whose Ethics? Which Cultural Contract? Imagining Arrernte Traditions Today". In: Oceania 71 (3) 2001, S. 189-200 |
Austin-Broos, Diane J.: "'Two Laws', Ontologies, Histories: Ways of Being Aranda Today", The Australian Journal of Anthropology 7 (1) 1996, S. 1-20 |
Autry, Gene: "From the desert the profits come". In: Art Monthly Australia 108, April 1998, S. 18-19 |
Bähr, Elisabeth: "Political Iconography in Indigenous Art". In: Zeitschrift für Australienstudien 27, 2013, S. 49-66, ISSN 1617-9900 |
Bähr, Elisabeth: "Starke Frauen, starke Kunst. Zeitgenössische Kunst von australischen Aborigines", Frauensolidarität 2, 2002, Wien, S. 14-15 ISSN 1023-1943 |
Behrendt, Larissa: "Ricky Maynard - Portrait of a Distant Land". In: Art Monthly Australia, 222, 1999, S.12-14 |
Bevan, A.W.R. und P. Bindon: "Australian Aborigines and meteorites". In: Records of the Western Australian Museum 18, 1996, S.93-101 |
Biddle, Jennifer: "Art under Intervention: the radical ordinary of June Walkutjukurr Richards". In: Art Monthly 227, 2010, S. 35-36 |
Bonyhady, Tim: Colour Separation, The Australians Review of Books 13, June 1998, S. 12-13 und 31 |
Britton, Stephanie: "(Art is Land), (Land is Art). Banduk Marika talks to Stephanie Britton", Artlink 16 (4) 1996, S. 16-17 |
Brooks, Geraldine: "The Painted Desert", The New Yorker, 28.07.2003 |
Budden, Chris: "Exploring Contextual Theology in Australia in Dialogue with Indigenous People", International Journal of Public Theology 2 (2008) S. 292-312, DOI: 10.1163/156973208X316180 |
Budd, Jerry: Colonialism and Race Relations in Remote Inland Australia: Observations from the Field of Australian Indigenous Studies, ab-Original 2017 (1) 2, S. 214-243 |
Bull, Gordon: "A gentle, revelatory didacticism". In: Art Monthly Australia 105, Nov. 1997, ISSN 1033-4025, S. 19-21 |
Butler, Rex: "The Impossible Painter", Australian Art Collector 2, October-December 1997, S. 42-45 |
Butler, Sally: "A Market on the Move", Australian Art Collector 2, October-December 1997, S. 38-39 |
Butler, Sally: "Op Art Now", Australian Art Collector 8, April-June 1999, S. 47-50 |
Butler, Sally: "Start Now! A Guide to the Aboriginal Art Market". In: Australian Art Collector 13, 2000, S. 66-75 |
Carroll, Alison: "Australian Art Abroad, Doing it better". In: Artlink 32 (1) 2012, S. 80-81 |
Carty, John: "Purnu, Tjanpi, Canvas - Art History in the Ngaanyatjarra Lands". In: Art Monthly 256, 2013, S. 64-68 |
Carver, Antonia: "Moving out of Place, about Time", Art & Australia 35 (3) 1998, S. 438-439 |
Cater, Melissa: "Struggling to be seen". In: Artlink 17 (4) 1996, S. 18-20 |
Chapman, Chris: Never Make Decisions Based on Fear: The Work and Ideas of Brook Andrew, Art and Australia 40 (3) Autumn 2003, S. 446–453 |
Chappell, Duncan und Kenneth Polk: "Fakers and Forgers, Deception and Dishonesty: An Exploration of the Murky World of Art Fraud". In: Institute of Criminology, The University of Sydney (Hg.): Current Issues in Criminal Justice, Bd. 20, March 2009, ISSN 1034-5329, S. 393-412 |
Christie, Michael: "Paint a yam, eat a yam", Artlink 15 (1) 1995, S. 28-30 |
Clarke, Philip A.: "The Aboriginal Cosmic Landscape of Southem South Australia". In: Records of the South Australian Museum 29 (2), 1997, S. 125-145 |
Clark, Ian D.: "The Convincing Ground - Aboriginal massacre at Portland Bay, Victoria: fact or fiction?". In: Aboriginal History 35, 2011, S.79-109 |
Cochrane, Susan: "Yiribana (this way) - a new direction for the Art Gallery of NSW". In: Art Montly Australia 79, 1995, S. 7-9 |
Coleman, Elizabeth Burns: "Historical ironies: the Australian Aboriginal art revolution", Journal of Historiography 1, December 2009, ISSN 2042-4752 |
Congreve, Susan: "painting up big. Community painting at Yuendumu". In: Art and Australia 35 (1) 1997, S. 88-93 |
Copeland, Julie: "The land and the market: Aboriginal art in NT". In: Art Montly Australia 83, 1995, S. 4-9 |
Cowlishaw, Gillian: "Mythologising culture: Part 1: Desiring Aboriginality in the suburbs". In: The Australian Journal of Anthropology 21, 2010, S. 208-227 |
Creighton, Chad: "Guirr Guirr: The contemporary continuum". In: Art + Australia 50 (3) 2013, S. 426-433 |
Creighton, Chad: "Gurirr Gurirr: The contemporary continuum". In: Art & Australia 50 (3) 2013, S. 427-433 |
Croft, Brenda: "Blak Lik Mi". In: Art and Australia 31 (1) 1993, S. 63-67 |
Croft, Brenda L.: "I am not sorry: Beyond Capricornia". In: Art Monthly Australia 154, October 2002, S. 5-9 |
Croft, Brenda L.: "Labelled - buyer be aware", Artlink 20 (1) 2000, S. 84-85 |
Cunneen, Christ: "Criminology, Criminal Justice and Indigenous People: A Dysfunctional Relationship?". In: Institute of Criminology, The University of Sydney (Hg.): Current Issues in Criminal Justice, Bd. 20, March 2009, ISSN 1034-5329, S. 323-336 |
Dauber, Christine: "Michael Cook - Through My Eyes: A dream of things to come, Art Monthly 245, S. 24-26 |
Davenport, Carly: "Desert Mob". In: Craft Arts International 60, 2004, S. 72-73, ISSN 1038-846X |
De Lorenzo, Catherine: "Delayed Exposure. Contemporary Aboriginal Photography", Art and Australia 31 (1) 1993, S. 57-62 |
De Lorenzo, Catherine: "Somewhere: Manuwangku life with a Nuclear Waste Dump". In Artlink 32 (4) 2012, S. 60-62 |
Denholm, Michael: "The Artist as Detective. The Art of Julie Gaugh", Periphery 33, Summer 1997/1998, S. 23-25, ISSN 1034-0580 |
Devitt, Marian: "Powerful poetic narratives", Art Monthly Australia 104, 1997, S. 19-21 |
Dewar, Mickey: "You in Your Small Corner". In: Humanities Research, Vol. XII, No 1, 2005, S.27-40 |
dpa: "Kölner Kunstmesse weist Aborigine-Kunst zurück", Die Rheinpfalz, 30.09.1998 |
Dussart, Francoise: "Shown but not Shared, Presented but not Proffered: Redefining Ritual Identity among Warlpiri Ritual Performers, 1990-2000". In: The Australian Journal of Anthropology 15 (3) 2004, S. 253-256 |
Eagle, Mary: "Traditions of Representing the Land in Aboriginal Art", Art and Australia 37 (2) 1999, S. 236-244 |
Eccles, Jeremy: "Gunybi Ganambarr – Yolngu lightning". In: Art Monthly 256, 2013, S. 12-13 |
Eccles, Jeremy: "The End of Jirrawun". In: Art Monthly Australia 245, Nov 2011, S. 32-34 |
Eickelkamp, Ute: "Kunst der Aborigines. Eine Ausstellung in der Berliner Galerie M", neue bildende kunst 9, 1994, S 78-79 |
Ellyard, Heather: "Big Yam Dreaming", Art & Australia 36 (4) 1999, S. 490-491 |
Erckenbrecht, Corinna: "Die materielle Kultur der australischen Aborigines - eine "Stein"zeit?", Gesellschaft für Australienstudien (Hg): Newsletter 14, 2000, S. 27-42 |
Erckenbrecht, Corinna: "Die vier Farben der Traumzeit - Kunst und Kultur australischer Aborigines-Frauen", Geselschaft für Australienstudien (Hg): Newsletter 12, 1998, S. 48-60 |
Erckenbrecht, Corinna: "Wissenschaftsgeschichtlicher und religionsethnologischer Streit. Hochgottglaube versus autochthone Religionsformen am Beispield der Kamilaroi, Australien", Anthropos 88, 1993, S. 517-528 |
Faulstich, Paul: "Mapping the Mythological Landscape: an Aboriginal Way of Being-in-the-World, Ethics, Place and Environment 1 (2) 1998, S. 197-221 |
Finnane, Kieran: "'Their share of the struggle': innovation & experimentation in desert arts". In: Art Monthly Australia, 260, June 2013, S. 23-25 |
Foley, Fiona: "I Speak To Cover The Mouth of Silence". In: Art Monthly 250, June 2012, S. 55-57 |
Foley, Fiona: "On the Power & Beauty of Political Art". In: Art Monthly Australia 211, May 2008, S. 22-24 |
Foley, Fiona: "When The Circus Came To Town". In: Art Monthly Australia 245, Nov 2011, S. 5-7 |
Fourmile-Marrie, Henrietta: "Bushtucker. Some ffod for thought". In: Artlink 19 (4) 1999, S. 34-37 |
Fox, Karen: "Rosalie Kunoth-Monks and the making of Jedda". In: Aboriginal History 33, 2009, S. 77-95 |
Fry, Tony und Anne-Marie Willis: "Aboriginal Art: Symptom or Success?", Art in America 77 (7) 1989, S. 197-210 |
Geczy, Adam: "Contemporary Australian Photography in Berlin. (Zeitgenössische Fotokunst aus Australian) Neuer Berliner Kunstverein (NKB)". In: Art Monthly Australia 134, October 2000, S. 23-25 |
Geczy, Adam: "Outsider/Insider: The Art of Gordon Bennett". In: Art Monthly Australia 260, June 2013, S. 26-28 |
Geczy, Adam: "The Airconditioned Desert - Curating Aboriginal Art". In: Art Monthly 250, June 2012, S.44-46 |
Genocchio, Ben: "Since the year dot", The Weekend Australian, August 12-13, 2000, S. !6-18 |
Gibson, Lorraine: "Art, Culture and Ambiguity in Wilcannia, New South Wales", The Australian Journal of Anthropology 19 (3) 2008, S. 294-313 |
Gibson, Lorraine: "Making art and making culture in far western New South Wales". In: Australian Aboriginal Studies 1, 2008, S. 67-77 |
Gigler, Elisabeth: "Indigenous Australian Art Photography: an Intercultural Approach", Zeitschrift für Australienstudien 21-22, 2007/2008, S. 57-64, ISSN 1617-990 |
Giles. Lerry (with Phillip (Piri) Everett: "Two Countries, One Weave?", Artlink 12 (2) 1992, S. 44-46 |
Gnocchio, Benjamin: "Shifting Sands - The Art of Fiona Foley". In: Eyeline Contemporary Visual Arts 41, Summer 1999, S. 18-23 |
Graham, Lloyd D.: "The Nature and Origins of the Tingari Cycle", May 2002 |
Graham, Lloyd D.: The creation of Wilkinkarra (Lake Mackay) in Pintupi/Kukatja Dreamings, Australian Aboriginal Studies 2003, 1, S. 30-38, ISSN 0729-4352 |
Green, Denise: "Painting post-Greenberg". In: Art Monthly Australia 87, March 1996, S. 20-23 |
Green, Jennifer: "The Altyerre Story - 'Suffering Badly by Translation'". In: The Australian Journal of Anthropology 23, 2012, S.158-178, doi: 10.1111/j.1757-6547.2012.00179.x |
Grishin, Sasha: "Finding Water, Finding Life - Travels throuth the sand dunes and soak holes of Helicopter Tjungurrayi's sweeping canvasas". In: Art Collector 61, July-Sept 2012, S.130-135 |
Hamdorf, Carolynne: "Garmerrun: All our Country", Warmun 2002, Ausstellungsinformation |
Hampson, Jane: "Shimmering Lands", Australian Art Collector 46, Oct.-Dec. 2008, S. 148-153, ISSN 1328-9586 |
Harford, Sonia: "Post Colognialism", World Art 1, 1997, S. 18-19 |
Harkins-Cross, Rebecca: Wer ist hier der Störenfried? In: Art - Das Kunstmagazin 6, 2022, S. 36-47, ISSN 0173-2781 |
Healy, Jacqueline: "Art from the heart?", Art Monthly Australia 122, August 1999, S. 13-15 |
Healy, Jacqueline: "Motika' Dreaming". In: Art Monthly Australia 233, Sept 2010, S. 32-35 |
Healy, Jacqueline: "The day the art world came to Balgo", Art Monthly Australia 171, July 2004, S. 34-36 |
Healy, Robyn: "Collecting Aboriginal Textiles", Australian Antique Collector, December 1998, S. 136-139, ISSN 0727-7253 |
Henle, Susanne: "Und sie ist doch wieder gewachsen"; "Nicht gefördert. Symposium zur Aborigine-Kunst"; kcd: "Nicht zugelassen. Einzelne Künstler bei der Art Cologne", Frankfurter Allgemeine Zeitung, 07.11.1998 |
Henle, Susanne (S.H.): "Ethnographica auf der Art Cologne. Keine Kunst?", Frankfurter Allgemeine Zeitung, Nr. 229, 02.10.1998, S. 41 |
Hinkson, Melinda: "New Media Projects at Yuendumu: inter-cultural engagement and self-determination in an era of accelerated globalization". In: Journal of Media and Cultural Studies 16 (2) 2002, S. 201-220, ISSN 1030-4312, DOI 10.1080/1030431022013876 9 |
Hinkson, Melinda: "What's in a dedication? On being a Warlpiri DJ". In: The Australian Journal of Anthropology 15 (2), 2004, S.143-162, ISSN 1035-8811 |
Hoffie, Pat: "Fiona Foley. Knowing where to look". In: Artlink 21 (4), S. 60-65 |
Holleuffer, Henriette von: Erzählte Welt. Indigenous Australian Art. Narrated Wold, Rezension in: Art Aurea 53, Herbst 2023, S. 44-53, ISSN 4191814-012009 |
Hutak, Michael: "Hodges, Christopher: Utopian Vision", Australian Art Collector 8, April-June 1999, S. 62-66 |
Hutchings, Patrick: "Life and the spirit in which it is lived", The Age, 14.01.2006 |
Ingram, Terry: "Full Circle. Aboriginal Art turns market corner". In: Australian Art Collector 13, 2000, S. 82-83 |
Ingram, Terry: "Obsessions with rarities". In: Art & Australia 36 (2) 1998, S. 251 |
Isaacs, Jennifer: "Bush Gardens", Art and Australia 35 (4) 1998, S. 511-517 |
Isaacs, Jennifer: "Indigenous Designs on Australia", Art & Australia 37 (1) 1999, S. 66-74 |
Isaacs Jennifer: "International exposure of Aboriginal art 1970–2001". In: Art & Australia 39 (4) 2002, S. 548–557 |
Isaacs, Jennifer: "Ngaraka-shrine for the lost Koori". In: Art Monthly Australia 135, 2000, S. 25-26 |
Isaacs, Jenniger: "Wandjuk Djuwakan Marika, d 1929-1987", Australian Indigenous Art News 1(2) 1999, S. 4, ISSN 1443-0126 |
Izett, Erica: "Eubena Nampitjin, c. 1923-2013". In: Art Monthly Australia 262, August 2013, S. 48-49, ISSN 1033-4025 |
Izett, Erica: "Sitting Down with Indigenous Artists". In: Artlink 25 (2) 2005, S. 26-29 |
Jenkins, Susan: "No Ordinary Place: The Art of David Malangi". In: Craft Arts International 62, 2004, S. 100-101, ISSN 1038-846X |
Johnson, Vivien: "Is there a gender issue in Aboriginal art?". In: Art and Australia 32 (3), 1995, S. 350-357 |
Jorgensen, Darren: "Bagging Aboriginal Art". In: arena 111, 2011, S. 38-42, ISSN 1039-1010 |
Jorgensen, Darren: "On Cross-Cultural Interpretations of Aboriginal Art". In: Journal of Intercultural Studies 29 (4), 2008, S. 413-426 |
Judith Ryan in conversation with Brook Andrew, NGV Magazin 3, 2017, S. 54-57 |
Jung, Sujin: "Abolishing Whiteness: The Art Worlds Reception of Emily Kame Kngwarreye", Academia Letters, Article 942, 2021, DOI 10.20935/AL942 |
Kalina, Richard: "The Dream of Aboriginal Art". In: Art in America, April 2007, S. 96-103 |
Kamali Land Council: "Mowaljarlai" und Malnic, Jutta: "Mowaljarlai talks to Ulli Beier", Art & Australia 35 (3) 1998, S. 348-350 |
Kavanagh, John: "The Long Boom. But How Long Can it Last?". In: Australian Art Collector 4, 2000, S. 56-58 |
Keary, Anne: "Christianity, colonialism, and cross-cultural translation: Lancelot Threlkeld, Biraban and the Awakabal". In: Aboriginal History 33, 2009, S.117-155, ISSN 0314-8769 |
Kelada, Odette and Madeleine Clark: "Bodies on the Line. Repossession and 'Talkin' up' in Aboriginal women's art". In: Artlink 33 (3) 2013, S. 37-41 |
Kerr, Joan: "Papunya Tula. A great contemporary art movement". In: Art Asiapacific 31, 2001, S. 31-33 |
Kidd, Courtney: "Promoting contemporary Indigenous art. NATSIAA: The top End's thriving art award". In: Art & Australia 39 (1) 2001, S. 60-63 |
Kidd, Courtney: "Utopia Art Sydney. Representing leading contemporary Australian artists". In: Art & Australia 4, 2002, S. 598-599 |
Kimber, Dick: "M. N. Tjapaltjarri". In: Art & Australia 36 (3) 1999, S. 397 |
King, Victoria: "Utopia now. A journey to Emily's country". In: Art & Australia 37 (4) 2000, S. 524-525 |
Kleinert, Sylbia: "Hidden Heritage: Ronald Bull's 1962 Pentridge mural", Art Monthly Australia 245, November 2011, S. 8-11 |
Kleinert, Sylvia: "Aboriginal enterprises - negotiating an urban aboriginality". In: Aboriginal History 34, 2010, S.171-196, ISSN 0314-8769 |
Koop, Stuart: "Fiona Foley. Bare Bones". In: Art Asia Pacific, 1997, S. 38-44 |
Kozeluh, Narayan: "Custodians of the Land". In: Craft Arts International, 53, 2003, S. 46-49, ISSN 1038-846X |
Kronenberg, Simeon and Gabrielle Pizzi in conversation: "Why Gabrielle Pizzi has changed her mind about Aboriginal art", Art Monthly Australia 85, 1995, S. 7-9 |
Lane, Marcus B., Helen Ross, A.P. Dale und Roy E. Rickson: "Sacred land, mineral wealth, and biodiversity at Coronation Hill, Northern Australia: indigenous knowledge and SIA". In: Impact Assessment and Project Appraisal 21 (2), EPSCO Publishing 2003, S. 89-98 |
Langsam, David: "Aboriginal art: Australia's hidden resource", Art Monthly Australia 87, March 1996, S. 4-5 |
Laseur, Carol: "BeDevil: Colonial Images, Aboriginal Memories". In: Span (Journal of the South Pacific Assoc for Cwlth Lit and Language Studies) 37, 1993, ISSN 1031-0606 |
Laurie, Victoria: "Not just the usual suspects". In: The Australian, October 31, 2008 |
Lendon, Nigel: "Cross-examining Aboriginal art". In: Art Monthly Australia 108, April 1998, S. 16-17 |
Lock-Weir, Tracey: "Clifford Possum. The Divine Navigator", Art & Australia 2003, S. 603-609 |
Losche, Diane: "Shrines and statements". In: Art Asiapacific 30, 2001, S. 25-27 |
Macnamara, Shirley and Anneke Silver: "Spinifex, ochres and the land: Anneke Silver interviews Shirley Macnamara", Periphery 33, Summer 1997/1998, S. 28-29, ISSN 1034-0580 |
Magowan, Fiona: "Syncretism or Sychronicity? Remapping the Yolngu Feel of Place". In: The Australian Journal of Anthropology 12 (3) 2001, S. 275-290 |
Massola, Cate: "Jarragbu-nungu Warrambany. Flood in Warmun". In: Artlink 32 (4) 2012, S. 21-22 |
Massola, Cate: "Jarragbu-nungu Warrambany. Flood in Warmun". In: Artlink 32 (4) 2012, S. 21-22 |
Mateer, John: Naturalisation: Recent Australian art and the natural". In: Art Monthly Australia 146, December 2001-February 2002, S. 4-7 |
Maynard, Ricky: "Indomitable Spirit". In: Portrait35, March-May 2010, S. 18-21 |
McCulloch, Alan: "The Aboriginal Art Exhibition", Meanjin No. 85, vol. xx, no. 1, 1961, S. 191-193 |
McCulloch, Susan: "Not a second too soon", Australian Art Collector 6, Oct.-Dec. 1998, S. 14-15 |
McCulloch, Susan: "TELSTRA National Aboriginal and Torres Strait Islander Art Award", Australian Art Collector 2, October-December 1997, S. 37 |
McCulloch, Susan: "Yirrkala's Big Barks", Australian Art Collector 3, 1998, S. 67-68 |
McCulloch-Uehlin, Susan: "Aboriginal Art. The next wave", The Weekend Australian, September 18-19, 1999, Features S. 44-7 |
McCulloch-Uehlin, Susan: "Tapestry of talent in bush awards", The Australian, August 17, 1999, S. 10 |
McDonald, Heather: "Universalising the particular? God and Indigenous spirit beings in East Kimberley". In: The Australian Journal of Anthropology 21, 2010, S. 51-70 |
McDonald, Michelle: "The problem of criticism: Emily Kame Kngwarreye". In: Art Monthly Australia 108, April 1998, S. 20-21 |
McIntosh, Ian: "Anthropology, Self-determination and Aboriginal Belief in the Christian God", Oceania 67 (4) 1997, S. 273-288 |
McLean, Bruce: "Sally Gabori's mind-mapped landscapes". In: Art + Australia 49 (3) 2012, S. 478-485 |
McLean, Ian: "9 shots 5 stories - Imants Tillers and Indigenous difference". In: Art Monthly Australia 228, 2010, S.13-16 |
McLean, Ian: "Home and away: H2O at the Lawrence Wilson Gallery". In: Art Monthly Australia 128, 2000, S. 13-15 |
McLean, Ian: "saltwaterfreshwater". In: Artlink 27 (2) 2007 |
McLennon, Ethel, Madeline Purdie und Cate Massola: "Linga yarren yilwarraya dam warna-warnarram. We remember forever that from long ago (ngarranggarnin)", Artlink 43 (3) 2023, S. 44-49 |
McPhee, John: "Sally Gabori - Feeling the Landscape". In: Art Monthly 249, May 2012, S. 5-9 |
McQueen, Humphrey: "Art can reveal but never resolve". In: Art Monthly Australia 128, 2000, S. 5-7 |
McQueen, Humphrey: "Divining water Dreaming". In: Art Monthly Australia 134, 2000, S.8-10 |
Mia, Tjalaminu und Morgan, Sally: "Going Home to Country. Judy Watson", Art & Australia 41 (4) 2004, S. 540 |
Miller, Carie: "Is it time we stopped talking about Aboriginal Art?". In: Art Collector 57, Jul-Sep 2011, S.104-105 |
Moreton-Robinson, Aileen: "The possessive logic of patriarchal white sovereignty: The High Court and the Yorty Yorta decision". In: Boderlands ejournal 2 (2) 2004 |
Moreton, Romaine: "Places that Name us", Artlink 31 (1) 2011, S. 60-61 |
Morphy, Howard: "Mutual Conversation? The Methodist Church and the Yolngu, with Particular Reference to Yirrkala", Humanities Research XII (1) 2005, S. 41-53 |
Morphy, Howard: "Seeing Aboriginal Art in the Gallery", Humanities Research 8 (1) 2001, S. 37-50 |
Morphy, Howard: "The Methodist Church and the Yol?u, with particular reference to Yirrkala". In: Humanities Research (Bigotry and Religion in Australia, 1865-195) Vol XII, No 1, 2005, S. 27-40 |
Morrell, Timothy: "An agent for change - Djambawa Marawili". In: Art Collector, 64, Apr-June 2013, S. 118-121 |
Morrell, Timothy: "Nyapanyapa Yunipingu: Painting With Light". In: Art Collector 58, Oct-Dec 2011, S. 136-143 |
Morrell, Timothy: "Timothy Cook - As Rituals Fade from Memory". In: Art Collector 62, 2012, S.132-135 |
Mountford, Charles P.: "An Anyamatana legend of the Pleiades". In: The Victorian Naturalist, Band LVI (6), No. 670, Oct. 1939, S. 103-104 |
Mundine, Djon: "Aboriginal Art: An Art of Installation". In: Postwest 18, 2001, S.42-48, ISSN 1323-1499 |
Mundine, Djon: "Absence of presence on Action peninsula". In: Art Monthly Australia 139, May 2001, S. 21-22 |
Mundine, Djon: "Adam Hill - Not a Proppa Aborigine". In: Art Monthly Australia 239, May 2011, S. 21-23, ISSN 1033-4025 |
Mundine, Djon: "Between two worlds". In: Art Monthly Australia 150, June 2002, S. 25-26 |
Mundine, Djon: "Ich bin ein Aratjara", Art Monthly Australia 75, November 1994 |
Mundine, Djon: "Painters of the Wagilag Sisters Story", Periphery 33, Summer 1997/1998, S. 12-16, ISSN 1034-0580 |
Mundine, Djon: "The Food Chain Starts Here. Larrtha'puy - from the mangroves, Artlink 15 (1) 1995 |
Mundine, Djon: "Tjampitjinpa", Art & Australia 35 (3) 1998, S. 351 |
Mundine, Djon: "Travelling from Utopia". In: Art Monthly 250, June 2012, S. 39-43 |
Murdoch, Anna King: "Now it's their time", The Age, 29 March 1999, S. 17 |
Murnane, Gerald: "Sista brevet till en brorsdotter", Artes. Tidskrift för Litteratur, Konst och Musik 4, 2002, Arg. 28, Stockholm, S. 34-45, ISSN 03450015 |
Murphy, Joy: "The Lie of the Land". In: Artlink 17 (3) 1997, S. 8-9 |
Museum Tinguely (Hg.): "rarrk" Journal, Basel 2006 |
Musharbash, Yasmine: "Marriage, love magic, and adultery: Warlpiri relationships as seen by three generations of anthropologists". In: Oceania 80 (3) 2010, S. 272-288, ISSN 0029-8077 |
Myers, Fred: "All around Australia and overseas: Christianity and Indigenous identities in Central Australia 1988". In: The Australian Journal of Anthropology 21, 2010, S. 110–128 |
Neale, Margo: "'Collected' for Centuries", Australian Art Collector 3, 1998, S. 62-64 |
Nelson, Robert: "Crisis of the exotic", The Age, 25.02.1995 |
Newstead, Adrian: "Cowboy". In: Art & Australia 36 (3) 1999, S. 395-397 |
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