aboriginal-art.de

"Aboriginal Art - an Art Market Report special feature. A Round Table Discussion", The Australian Art Market Report 14, Summer 2004/2005, S. 20-28, ISSN 1449-1915

"Awakening Objects and Indigenizing the Museum. Stephen Gilchrist in Conversation with Henry F. Skerritt", Contemporaneity: Historical Presence in Visual Culture 5 (1) 2016 "Agency in Motion", S. 108-121, ISSN 2155-1162, DOI 10.5195/contemp.2016.183

ABC Radio National: Black Art Gold Rush, 25 September 2005

Alcaraz, Aleksandra Lukaszewicz: "Contemporary Aboriginal Art from Australias Desert: Context, Debates, and Analysis", Athens Journal of Humanities & Arts 6 (4) 2019, S. 345-366, doi:10.30958/ajha.6-4-4

Anderson, Chris: "Was god ever a 'boss' at Wujal Wujal? Lutherans and Kuku-Yalanji: A socio-historical analysis". In: The Australian Journal of Anthropology 21, 2010, S. 33-50

Anderson, Sallie: "Rejecting the Rainbos Serpent: An Aboriginal Artist's Choice of the Christian God as Creator", The Australian Journal of Anthropology 12 (3) 2001, S. 291-301

Annas, Marianna: "Art, Originality and Authenticity", Periphery 33, Summer 1997/1998, S. 6-8, ISSN 1034-0580

Araluen Arts Centre (Hg.): Desert Mob 2019, Mparntwe (Alice Springs) 2019, Ausst. Kat., ISSN 2652-1849

Araluen Arts Centre (Hg.): Desert Mob 2021. Celebrating 30 years, Mparntwe (Alice Springs) 2021, Ausst. Kat., ISSN 2652-1849

Art & Australia 26 (4) 1989, ISSN 0004-301X

Art and Australia 35 (1) 1997, Olympic Arts Festival Special Issue. Aboriginal and Torres Strait Islander Art

Artlink: Indigenous, re-visions, 33 (2) 2013

Artlink 30 (1), 2010: Blak on Blak, ISSN 0727-1239

Artlink 31 (2), June 2011: Indigenous. Beauty and Terror, ISSN 0727-1239

Artlink 32 (2), June 2012: Indigenous. Indignation, ISSN 0727-1239

Artlink 35 (2) 2015: Indigenous_Global, ISSN 0727-1239

Artlink 36 (2) June 2016, Indigenous_Northern, Aboriginal art from the Kimberley and Top End, ISSN 0727-1239

Artlink 37 (2) June 2017, Indigenous_Trans Cultural, ISSN 0727-1239

Artlink 38 (2) June 2018, Indigenous Kanarn Wangkiny Wanggandi Karlto_Speaking from inside, ISSN 0727-1239

Artlink 39 (2) Juni 2019, Indigenous_Storrytelling in a Digital World, ISSN 0727-1239

Artlink 40 (2) 2020, Indigenous_Kin Constellations_languages water futures, ISSN 0717-1239

Artlink 41 (3) December 2021, Indigenous_Visualising Sovereignty, ISSN 0727-1239

Artlink 42 (3) Summer 2022, Indigenous_, ISSN 0727-1239

Austin-Brees, Diane: "Translating Christianity: Some keywords, events and sites in Western Arrernte conversion". In: The Australian Journal of Anthropology 21, 2010, S. 14-32

Austin-Broos, Diane: "The Meaning Of Pepe: God's Law and The Western Arrernte", Journal of Religious History 27 (3) December 2003, S. 311-328

Austin-Broos, Diane: "Translating Christianity: Some keywords, events and sites in Western Arrernte conversion", The Australian Journal of Anthropology 21, 2010, S. 14-32

Austin-Broos, Diane: "Whose Ethics? Which Cultural Contract? Imagining Arrernte Traditions Today". In: Oceania 71 (3) 2001, S. 189-200

Austin-Broos, Diane J.: "'Two Laws', Ontologies, Histories: Ways of Being Aranda Today", The Australian Journal of Anthropology 7 (1) 1996, S. 1-20

Autry, Gene: "From the desert the profits come". In: Art Monthly Australia 108, April 1998, S. 18-19

Bähr, Elisabeth: "Political Iconography in Indigenous Art". In: Zeitschrift für Australienstudien 27, 2013, S. 49-66, ISSN 1617-9900

Bähr, Elisabeth: "Starke Frauen, starke Kunst. Zeitgenössische Kunst von australischen Aborigines", Frauensolidarität 2, 2002, Wien, S. 14-15 ISSN 1023-1943

Behrendt, Larissa: "Ricky Maynard - Portrait of a Distant Land". In: Art Monthly Australia, 222, 1999, S.12-14

Berryman, Jim: "Exhibiting Western Desert Aboriginal painting in Australia’s public galleries: an institutional analysis, 1981-2002", Journal of Art Historiography 7, December 2012

Bevan, A.W.R. und P. Bindon: "Australian Aborigines and meteorites". In: Records of the Western Australian Museum 18, 1996, S.93-101

Biddle, Jennifer: "Art under Intervention: the radical ordinary of June Walkutjukurr Richards". In: Art Monthly 227, 2010, S. 35-36

Bleiker, Roland and Sally Butler: "Radical Dreaming: Indigenous Art and Cultural Diplomacy", International Political Sociology 10, 2016, S. 56-74

Bonyhady, Tim: “Colour Separation,” The Australian’s Review of Books 13, June 1998, S. 12-13 und 31

Bosch, Roser: "A way of reasserting and sharing identity: acrylic paintings of the Central Desert. A critical approach", Coolabah 3, 2009, S. 243-251, ISSN 1988-5946

Britton, Stephanie: "(Art is Land), (Land is Art). Banduk Marika talks to Stephanie Britton", Artlink 16 (4) 1996, S. 16-17

Brooks, Geraldine: "The Painted Desert", The New Yorker, 28.07.2003

Budden, Chris: "Exploring Contextual Theology in Australia in Dialogue with Indigenous People", International Journal of Public Theology 2 (2008) S. 292-312, DOI: 10.1163/156973208X316180

Budd, Jerry: Colonialism and Race Relations in Remote Inland Australia: Observations from the Field of Australian Indigenous Studies, ab-Original 2017 (1) 2, S. 214-243

Bull, Gordon: "A gentle, revelatory didacticism". In: Art Monthly Australia 105, Nov. 1997, ISSN 1033-4025, S. 19-21

Butler, Rex: "The Impossible Painter", Australian Art Collector 2, October-December 1997, S. 42-45

Butler, Sally: "A Market on the Move", Australian Art Collector 2, October-December 1997, S. 38-39

Butler, Sally: "Op Art Now", Australian Art Collector 8, April-June 1999, S. 47-50

Butler, Sally: "Start Now! A Guide to the Aboriginal Art Market". In: Australian Art Collector 13, 2000, S. 66-75

Carroll, Alison: "Australian Art Abroad, Doing it better". In: Artlink 32 (1) 2012, S. 80-81

Carty, John: "Purnu, Tjanpi, Canvas - Art History in the Ngaanyatjarra Lands". In: Art Monthly 256, 2013, S. 64-68

Carver, Antonia: "Moving out of Place, about Time", Art & Australia 35 (3) 1998, S. 438-439

Cater, Melissa: "Struggling to be seen". In: Artlink 17 (4) 1996, S. 18-20

Chapman, Chris: “Never Make Decisions Based on Fear: The Work and Ideas of Brook Andrew”, Art and Australia 40 (3) Autumn 2003, S. 446–453

Chappell, Duncan und Kenneth Polk: "Fakers and Forgers, Deception and Dishonesty: An Exploration of the Murky World of Art Fraud". In: Institute of Criminology, The University of Sydney (Hg.): Current Issues in Criminal Justice, Bd. 20, March 2009, ISSN 1034-5329, S. 393-412

Christie, Michael: "Paint a yam, eat a yam", Artlink 15 (1) 1995, S. 28-30

Clarke, Philip A.: "The Aboriginal Cosmic Landscape of Southem South Australia". In: Records of the South Australian Museum 29 (2), 1997, S. 125-145

Clark, Ian D.: "The Convincing Ground - Aboriginal massacre at Portland Bay, Victoria: fact or fiction?". In: Aboriginal History 35, 2011, S.79-109

Cochrane, Susan: "Yiribana (this way) - a new direction for the Art Gallery of NSW". In: Art Montly Australia 79, 1995, S. 7-9

Coleman, Elizabeth Burns: "Historical ironies: the Australian Aboriginal art revolution", Journal of Historiography 1, December 2009, ISSN 2042-4752

Congreve, Susan: "painting up big. Community painting at Yuendumu". In: Art and Australia 35 (1) 1997, S. 88-93

Conor, Liz und Jane Lydon: "Double take: reappraising the colonial archive", Journal of Australian Studies 35 (2) June 2011, S. 137-143, ISSN 1444-3058 print, ISSN 1835-6419 online, DOI: 10.1080/14443058.2011.562229

Copeland, Julie: "The land and the market: Aboriginal art in NT". In: Art Montly Australia 83, 1995, S. 4-9

Cowlishaw, Gillian: "Mythologising culture: Part 1: Desiring Aboriginality in the suburbs". In: The Australian Journal of Anthropology 21, 2010, S. 208-227

Creighton, Chad: "Guirr Guirr: The contemporary continuum". In: Art + Australia 50 (3) 2013, S. 426-433

Creighton, Chad: "Gurirr Gurirr: The contemporary continuum". In: Art & Australia 50 (3) 2013, S. 427-433

Croft, Brenda: "Blak Lik Mi". In: Art and Australia 31 (1) 1993, S. 63-67

Croft, Brenda L.: "I am not sorry: Beyond Capricornia". In: Art Monthly Australia 154, October 2002, S. 5-9

Croft, Brenda L.: "Labelled - buyer be aware", Artlink 20 (1) 2000, S. 84-85

Cunneen, Christ: "Criminology, Criminal Justice and Indigenous People: A Dysfunctional Relationship?". In: Institute of Criminology, The University of Sydney (Hg.): Current Issues in Criminal Justice, Bd. 20, March 2009, ISSN 1034-5329, S. 323-336

Dauber, Christine: "Michael Cook - Through My Eyes: A dream of things to come, Art Monthly 245, S. 24-26

Davenport, Carly: "Desert Mob". In: Craft Arts International 60, 2004, S. 72-73, ISSN 1038-846X

De Lorenzo, Catherine: "Delayed Exposure. Contemporary Aboriginal Photography", Art and Australia 31 (1) 1993, S. 57-62

De Lorenzo, Catherine: "Somewhere: Manuwangku life with a Nuclear Waste Dump". In Artlink 32 (4) 2012, S. 60-62

de Lorenzo, Catherine und Juno Gemes: "From Resistance to Invisibility", Anthropology & Photography No. 3, 2016, ISSN 2397-1754

Denholm, Michael: "The Artist as Detective. The Art of Julie Gaugh", Periphery 33, Summer 1997/1998, S. 23-25, ISSN 1034-0580

Devitt, Marian: "Powerful poetic narratives", Art Monthly Australia 104, 1997, S. 19-21

Dewar, Mickey: "You in Your Small Corner". In: Humanities Research, Vol. XII, No 1, 2005, S.27-40

dpa: "Kölner Kunstmesse weist Aborigine-Kunst zurück", Die Rheinpfalz, 30.09.1998

Dussart, Francoise: "Shown but not Shared, Presented but not Proffered: Redefining Ritual Identity among Warlpiri Ritual Performers, 1990-2000". In: The Australian Journal of Anthropology 15 (3) 2004, S. 253-256

Dussart, Françoise: “Canvassing Identities: Reflecting on the Acrylic Art Movement in an Australian Aboriginal Settlement”, Aboriginal History. Special Thirtieth Anniversary Volume Exchanging Histories, 2007, S. 156-168

Eagle, Mary: "Traditions of Representing the Land in Aboriginal Art", Art and Australia 37 (2) 1999, S. 236-244

Eccles, Jeremy: "Gunybi Ganambarr – Yolngu lightning". In: Art Monthly 256, 2013, S. 12-13

Eccles, Jeremy: "The End of Jirrawun". In: Art Monthly Australia 245, Nov 2011, S. 32-34

Eickelkamp, Ute: "Kunst der Aborigines. Eine Ausstellung in der Berliner Galerie M", neue bildende kunst 9, 1994, S 78-79

Ellyard, Heather: "Big Yam Dreaming", Art & Australia 36 (4) 1999, S. 490-491

Erckenbrecht, Corinna: "Die materielle Kultur der australischen Aborigines - eine "Stein"zeit?", Gesellschaft für Australienstudien (Hg): Newsletter 14, 2000, S. 27-42

Erckenbrecht, Corinna: "Die vier Farben der Traumzeit - Kunst und Kultur australischer Aborigines-Frauen", Geselschaft für Australienstudien (Hg): Newsletter 12, 1998, S. 48-60

Erckenbrecht, Corinna: "Wissenschaftsgeschichtlicher und religionsethnologischer Streit. Hochgottglaube versus autochthone Religionsformen am Beispield der Kamilaroi, Australien", Anthropos 88, 1993, S. 517-528

Faulstich, Paul: "Mapping the Mythological Landscape: an Aboriginal Way of Being-in-the-World, Ethics, Place and Environment 1 (2) 1998, S. 197-221

Finnane, Kieran: "'Their share of the struggle': innovation & experimentation in desert arts". In: Art Monthly Australia, 260, June 2013, S. 23-25

Fisher, Laura und MacDonald, Gay: "Building Cross-Cultural Connections: The Warburton Arts Project and the 2011 Chinese Tour of Tu Di - Shen Ti - Our Land Our Body", The Journal of Artistic and Creative Education (JACE) 7 (1) 2014, S. 66-, ISSN 1832-0465

Foley, Fiona: "I Speak To Cover The Mouth of Silence". In: Art Monthly 250, June 2012, S. 55-57

Foley, Fiona: "On the Power & Beauty of Political Art". In: Art Monthly Australia 211, May 2008, S. 22-24

Foley, Fiona: "When The Circus Came To Town". In: Art Monthly Australia 245, Nov 2011, S. 5-7

Fourmile-Marrie, Henrietta: "Bushtucker. Some ffod for thought". In: Artlink 19 (4) 1999, S. 34-37

Fox, Karen: "Rosalie Kunoth-Monks and the making of Jedda". In: Aboriginal History 33, 2009, S. 77-95

Fry, Tony und Anne-Marie Willis: "Aboriginal Art: Symptom or Success?", Art in America 77 (7) 1989, S. 197-210

Geczy, Adam: "Contemporary Australian Photography in Berlin. (Zeitgenössische Fotokunst aus Australian) Neuer Berliner Kunstverein (NKB)". In: Art Monthly Australia 134, October 2000, S. 23-25

Geczy, Adam: "Outsider/Insider: The Art of Gordon Bennett". In: Art Monthly Australia 260, June 2013, S. 26-28

Geczy, Adam: "The Airconditioned Desert - Curating Aboriginal Art". In: Art Monthly 250, June 2012, S.44-46

Genocchio, Ben: "Since the year dot", The Weekend Australian, August 12-13, 2000, S. !6-18

Gibson, Lorraine: "Art, Culture and Ambiguity in Wilcannia, New South Wales", The Australian Journal of Anthropology 19 (3) 2008, S. 294-313

Gibson, Lorraine: "Making art and making culture in far western New South Wales". In: Australian Aboriginal Studies 1, 2008, S. 67-77

Gigler, Elisabeth: "Indigenous Australian Art Photography: an Intercultural Approach", Zeitschrift für Australienstudien 21-22, 2007/2008, S. 57-64, ISSN 1617-990

Giles. Lerry (with Phillip (Piri) Everett: "Two Countries, One Weave?", Artlink 12 (2) 1992, S. 44-46

Ginsburg, Faye and Myers, Fred: "A History of Aboriginal Futures", Critique of Anthropology 26 (1) 2006, S. 27-45, DOI:10.1177/0308275X06061482

Gnocchio, Benjamin: "Shifting Sands - The Art of Fiona Foley". In: Eyeline Contemporary Visual Arts 41, Summer 1999, S. 18-23

Graham, Lloyd D.: "The Nature and Origins of the Tingari Cycle", May 2002

Graham, Lloyd D.: The creation of Wilkinkarra (Lake Mackay) in Pintupi/Kukatja Dreamings, Australian Aboriginal Studies 2003, 1, S. 30-38, ISSN 0729-4352

Green, Denise: "Painting post-Greenberg". In: Art Monthly Australia 87, March 1996, S. 20-23

Green, Jennifer: "The Altyerre Story - 'Suffering Badly by Translation'". In: The Australian Journal of Anthropology 23, 2012, S.158-178, doi: 10.1111/j.1757-6547.2012.00179.x

Grishin, Sasha: "Finding Water, Finding Life - Travels throuth the sand dunes and soak holes of Helicopter Tjungurrayi's sweeping canvasas". In: Art Collector 61, July-Sept 2012, S.130-135

Hamdorf, Carolynne: "Garmerrun: All our Country", Warmun 2002, Ausstellungsinformation

Hampson, Jane: "Shimmering Lands", Australian Art Collector 46, Oct.-Dec. 2008, S. 148-153, ISSN 1328-9586

Harford, Sonia: "Post Colognialism", World Art 1, 1997, S. 18-19

Harkins-Cross, Rebecca: Wer ist hier der Störenfried? In: Art - Das Kunstmagazin 6, 2022, S. 36-47, ISSN 0173-2781

Healy, Jacqueline: "Art from the heart?", Art Monthly Australia 122, August 1999, S. 13-15

Healy, Jacqueline: "Motika' Dreaming". In: Art Monthly Australia 233, Sept 2010, S. 32-35

Healy, Jacqueline: "The day the art world came to Balgo", Art Monthly Australia 171, July 2004, S. 34-36

Healy, Robyn: "Collecting Aboriginal Textiles", Australian Antique Collector, December 1998, S. 136-139, ISSN 0727-7253

Henle, Susanne: "Und sie ist doch wieder gewachsen"; "Nicht gefördert. Symposium zur Aborigine-Kunst"; kcd: "Nicht zugelassen. Einzelne Künstler bei der Art Cologne", Frankfurter Allgemeine Zeitung, 07.11.1998

Henle, Susanne (S.H.): "Ethnographica auf der Art Cologne. Keine Kunst?", Frankfurter Allgemeine Zeitung, Nr. 229, 02.10.1998, S. 41

Hinkson, Melinda: "Back to the Future: Warlpiri Encounters with Drawings, Country and Others in the Digital Age", Culture, Theory and Critique 54 (3) 2013, S. 301-317, DOI:10.1080/14735784.2013.811888

Hinkson, Melinda: "New Media Projects at Yuendumu: inter-cultural engagement and self-determination in an era of accelerated globalization". In: Journal of Media and Cultural Studies 16 (2) 2002, S. 201-220, ISSN 1030-4312, DOI 10.1080/1030431022013876 9

Hinkson, Melinda: "What's in a dedication? On being a Warlpiri DJ". In: The Australian Journal of Anthropology 15 (2), 2004, S.143-162, ISSN 1035-8811

Hoffie, Pat: "Fiona Foley. Knowing where to look". In: Artlink 21 (4), S. 60-65

Holleuffer, Henriette von: Erzählte Welt. Indigenous Australian Art. Narrated Wold, Rezension in: Art Aurea 53, Herbst 2023, S. 44-53, ISSN 4191814-012009

Humanities Research vol. XII, no. 1, 2005

Hutak, Michael: "Hodges, Christopher: Utopian Vision", Australian Art Collector 8, April-June 1999, S. 62-66

Hutchings, Patrick: "Life and the spirit in which it is lived", The Age, 14.01.2006

Ingram, Terry: "Full Circle. Aboriginal Art turns market corner". In: Australian Art Collector 13, 2000, S. 82-83

Ingram, Terry: "Obsessions with rarities". In: Art & Australia 36 (2) 1998, S. 251

Isaacs, Jennifer: "Bush Gardens", Art and Australia 35 (4) 1998, S. 511-517

Isaacs, Jennifer: "Indigenous Designs on Australia", Art & Australia 37 (1) 1999, S. 66-74

Isaacs Jennifer: "International exposure of Aboriginal art 1970–2001". In: Art & Australia 39 (4) 2002, S. 548–557

Isaacs, Jennifer: "Ngaraka-shrine for the lost Koori". In: Art Monthly Australia 135, 2000, S. 25-26

Isaacs, Jenniger: "Wandjuk Djuwakan Marika, d 1929-1987", Australian Indigenous Art News 1(2) 1999, S. 4, ISSN 1443-0126

Izett, Erica: "Eubena Nampitjin, c. 1923-2013". In: Art Monthly Australia 262, August 2013, S. 48-49, ISSN 1033-4025

Izett, Erica: "Sitting Down with Indigenous Artists". In: Artlink 25 (2) 2005, S. 26-29

James, Diana: "Signposted by Song: cultural routes of the Australian desert. Connedting Cultures and Continents: The Heritage of Routes and Journeys", Historic Environment 25 (3) 2013, S. 30-42

Jenkins, Susan: "No Ordinary Place: The Art of David Malangi". In: Craft Arts International 62, 2004, S. 100-101, ISSN 1038-846X

Johnson, Vivien: "Is there a gender issue in Aboriginal art?". In: Art and Australia 32 (3), 1995, S. 350-357

Jorgensen, Darren: "Bagging Aboriginal Art". In: arena 111, 2011, S. 38-42, ISSN 1039-1010

Jorgensen, Darren: "On Cross-Cultural Interpretations of Aboriginal Art". In: Journal of Intercultural Studies 29 (4), 2008, S. 413-426

Judith Ryan in conversation with Brook Andrew, NGV Magazin 3, 2017, S. 54-57

Jung, Sujin: "Abolishing Whiteness: The Art World’s Reception of Emily Kame Kngwarreye", Academia Letters, Article 942, 2021, DOI 10.20935/AL942

Kalina, Richard: "The Dream of Aboriginal Art". In: Art in America, April 2007, S. 96-103

Kamali Land Council: "Mowaljarlai" und Malnic, Jutta: "Mowaljarlai talks to Ulli Beier", Art & Australia 35 (3) 1998, S. 348-350

Kavanagh, John: "The Long Boom. But How Long Can it Last?". In: Australian Art Collector 4, 2000, S. 56-58

Keary, Anne: "Christianity, colonialism, and cross-cultural translation: Lancelot Threlkeld, Biraban and the Awakabal". In: Aboriginal History 33, 2009, S.117-155, ISSN 0314-8769

Kelada, Odette and Madeleine Clark: "Bodies on the Line. Repossession and 'Talkin' up' in Aboriginal women's art". In: Artlink 33 (3) 2013, S. 37-41

Kerr, Joan: "Papunya Tula. A great contemporary art movement". In: Art Asiapacific 31, 2001, S. 31-33

Khan, Kate: Looking Back: The Story of a Collection. The Papunya Permanent Collection of Early Western Desert Paintings at the Australian Museum, Technical Reports of the Australian Museum, Online 25, 2016, S. 1–95, ISSN 1835-4211

Kidd, Courtney: "Promoting contemporary Indigenous art. NATSIAA: The top End's thriving art award". In: Art & Australia 39 (1) 2001, S. 60-63

Kidd, Courtney: "Utopia Art Sydney. Representing leading contemporary Australian artists". In: Art & Australia 4, 2002, S. 598-599

Kimber, Dick: "M. N. Tjapaltjarri". In: Art & Australia 36 (3) 1999, S. 397

King, Victoria: "Utopia now. A journey to Emily's country". In: Art & Australia 37 (4) 2000, S. 524-525

Kleinert, Sylbia: "Hidden Heritage: Ronald Bull's 1962 Pentridge mural", Art Monthly Australia 245, November 2011, S. 8-11

Kleinert, Sylvia: "Aboriginal enterprises - negotiating an urban aboriginality". In: Aboriginal History 34, 2010, S.171-196, ISSN 0314-8769

Koop, Stuart: "Fiona Foley. Bare Bones". In: Art Asia Pacific, 1997, S. 38-44

Kozeluh, Narayan: "Custodians of the Land". In: Craft Arts International, 53, 2003, S. 46-49, ISSN 1038-846X

Kronenberg, Simeon and Gabrielle Pizzi in conversation: "Why Gabrielle Pizzi has changed her mind about Aboriginal art", Art Monthly Australia 85, 1995, S. 7-9

Lane, Marcus B., Helen Ross, A.P. Dale und Roy E. Rickson: "Sacred land, mineral wealth, and biodiversity at Coronation Hill, Northern Australia: indigenous knowledge and SIA". In: Impact Assessment and Project Appraisal 21 (2), EPSCO Publishing 2003, S. 89-98

Langsam, David: "Aboriginal art: Australia's hidden resource", Art Monthly Australia 87, March 1996, S. 4-5

Laseur, Carol: "BeDevil: Colonial Images, Aboriginal Memories". In: Span (Journal of the South Pacific Assoc for Cwlth Lit and Language Studies) 37, 1993, ISSN 1031-0606

Laurie, Victoria: "Not just the usual suspects". In: The Australian, October 31, 2008

Lendon, Nigel: "Cross-examining Aboriginal art". In: Art Monthly Australia 108, April 1998, S. 16-17

Lock-Weir, Tracey: "Clifford Possum. The Divine Navigator", Art & Australia 2003, S. 603-609

Losche, Diane: "Shrines and statements". In: Art Asiapacific 30, 2001, S. 25-27

Macdonald, Gaynor: "Painting the 'Soft Knife'. Harry Wedge's Colonial Canvas", Visual Anthropology Review 21 (1 and 2) 2005, S. 98-115

Macnamara, Shirley and Anneke Silver: "Spinifex, ochres and the land: Anneke Silver interviews Shirley Macnamara", Periphery 33, Summer 1997/1998, S. 28-29, ISSN 1034-0580

Magowan, Fiona: "Syncretism or Sychronicity? Remapping the Yolngu Feel of Place". In: The Australian Journal of Anthropology 12 (3) 2001, S. 275-290

Marquis, Jenefer and Wyeld, Theodor: "Ancestral Forces in Contemporary Indigenous Australian Women's Art: 3 Case Studies of Multi-dimensional Cultural Heritage Knowledge", 14th International Conference Information Visualisation, IEEE Publishing 2010, S. 391-396, DOI 10.1109/IV.2010.60

Massola, Cate: "Jarragbu-nungu Warrambany. Flood in Warmun". In: Artlink 32 (4) 2012, S. 21-22

Massola, Cate: "Jarragbu-nungu Warrambany. Flood in Warmun". In: Artlink 32 (4) 2012, S. 21-22

Massola, Catherine: "Community collections: Returning to an (un)imagined future", Museum Anthropology 2023, 00, S. 1-11. DOI: 10.1111/muan.12267

Massola, Catherine: "Country, cattle and cooperation: On the potential of Kila in Warmun, Western Australia", TAJA The Australian Journal of Anthropology 00, 2024, S. 1-17, DOI: 10.1111/taja.12511

Mateer, John: Naturalisation: Recent Australian art and the natural". In: Art Monthly Australia 146, December 2001-February 2002, S. 4-7

Maynard, Ricky: "Indomitable Spirit". In: Portrait35, March-May 2010, S. 18-21

McCulloch, Alan: "The Aboriginal Art Exhibition", Meanjin No. 85, vol. xx, no. 1, 1961, S. 191-193

McCulloch, Susan: "Not a second too soon", Australian Art Collector 6, Oct.-Dec. 1998, S. 14-15

McCulloch, Susan: "TELSTRA National Aboriginal and Torres Strait Islander Art Award", Australian Art Collector 2, October-December 1997, S. 37

McCulloch, Susan: "Yirrkala's Big Barks", Australian Art Collector 3, 1998, S. 67-68

McCulloch-Uehlin, Susan: "Aboriginal Art. The next wave", The Weekend Australian, September 18-19, 1999, Features S. 44-7

McCulloch-Uehlin, Susan: "Tapestry of talent in bush awards", The Australian, August 17, 1999, S. 10

McDonald, Heather: "Universalising the particular? God and Indigenous spirit beings in East Kimberley". In: The Australian Journal of Anthropology 21, 2010, S. 51-70

McDonald, Michelle: "The problem of criticism: Emily Kame Kngwarreye". In: Art Monthly Australia 108, April 1998, S. 20-21

McIntosh, Ian: "Anthropology, Self-determination and Aboriginal Belief in the Christian God", Oceania 67 (4) 1997, S. 273-288

McLean, Bruce: "Sally Gabori's mind-mapped landscapes". In: Art + Australia 49 (3) 2012, S. 478-485

McLean, Ian: "9 shots 5 stories - Imants Tillers and Indigenous difference". In: Art Monthly Australia 228, 2010, S.13-16

McLean, Ian: "Home and away: H2O at the Lawrence Wilson Gallery". In: Art Monthly Australia 128, 2000, S. 13-15

McLean, Ian: "saltwaterfreshwater". In: Artlink 27 (2) 2007

McLennon, Ethel, Madeline Purdie und Cate Massola: "Linga yarren yilwarraya dam warna-warnarram. We remember forever that from long ago (ngarranggarnin)", Artlink 43 (3) 2023, S. 44-49

McPhee, John: "Sally Gabori - Feeling the Landscape". In: Art Monthly 249, May 2012, S. 5-9

McQueen, Humphrey: "Art can reveal but never resolve". In: Art Monthly Australia 128, 2000, S. 5-7

McQueen, Humphrey: "Divining water Dreaming". In: Art Monthly Australia 134, 2000, S.8-10

Mia, Tjalaminu und Morgan, Sally: "Going Home to Country. Judy Watson", Art & Australia 41 (4) 2004, S. 540

Miller, Carie: "Is it time we stopped talking about Aboriginal Art?". In: Art Collector 57, Jul-Sep 2011, S.104-105

Moreton-Robinson, Aileen: "The possessive logic of patriarchal white sovereignty: The High Court and the Yorty Yorta decision". In: Boderlands ejournal 2 (2) 2004

Moreton, Romaine: "Places that Name us", Artlink 31 (1) 2011, S. 60-61

Morphy, Howard: "Mutual Conversation? The Methodist Church and the Yolngu, with Particular Reference to Yirrkala", Humanities Research XII (1) 2005, S. 41-53

Morphy, Howard: "Seeing Aboriginal Art in the Gallery", Humanities Research 8 (1) 2001, S. 37-50

Morphy, Howard: "The Methodist Church and the Yol?u, with particular reference to Yirrkala". In: Humanities Research (Bigotry and Religion in Australia, 1865-195) Vol XII, No 1, 2005, S. 27-40

Morrell, Timothy: "An agent for change - Djambawa Marawili". In: Art Collector, 64, Apr-June 2013, S. 118-121

Morrell, Timothy: "Nyapanyapa Yunipingu: Painting With Light". In: Art Collector 58, Oct-Dec 2011, S. 136-143

Morrell, Timothy: "Timothy Cook - As Rituals Fade from Memory". In: Art Collector 62, 2012, S.132-135

Mountford, Charles P.: "An Anyamatana legend of the Pleiades". In: The Victorian Naturalist, Band LVI (6), No. 670, Oct. 1939, S. 103-104

Mundine, Djon: "Aboriginal Art: An Art of Installation". In: Postwest 18, 2001, S.42-48, ISSN 1323-1499

Mundine, Djon: "Absence of presence on Action peninsula". In: Art Monthly Australia 139, May 2001, S. 21-22

Mundine, Djon: "Adam Hill - Not a Proppa Aborigine". In: Art Monthly Australia 239, May 2011, S. 21-23, ISSN 1033-4025

Mundine, Djon: "Between two worlds". In: Art Monthly Australia 150, June 2002, S. 25-26

Mundine, Djon: "Ich bin ein Aratjara", Art Monthly Australia 75, November 1994

Mundine, Djon: "Painters of the Wagilag Sisters Story", Periphery 33, Summer 1997/1998, S. 12-16, ISSN 1034-0580

Mundine, Djon: "The Food Chain Starts Here. Larrtha'puy - from the mangroves, Artlink 15 (1) 1995

Mundine, Djon: "Tjampitjinpa", Art & Australia 35 (3) 1998, S. 351

Mundine, Djon: "Travelling from Utopia". In: Art Monthly 250, June 2012, S. 39-43

Murdoch, Anna King: "Now it's their time", The Age, 29 March 1999, S. 17

Murnane, Gerald: "Sista brevet till en brorsdotter", Artes. Tidskrift för Litteratur, Konst och Musik 4, 2002, Arg. 28, Stockholm, S. 34-45, ISSN 03450015

Murphy, Joy: "The Lie of the Land". In: Artlink 17 (3) 1997, S. 8-9

Museum Tinguely (Hg.): "rarrk" Journal, Basel 2006

Musharbash, Yasmine: "Marriage, love magic, and adultery: Warlpiri relationships as seen by three generations of anthropologists". In: Oceania 80 (3) 2010, S. 272-288, ISSN 0029-8077

Myers, Fred: "All around Australia and overseas: Christianity and Indigenous identities in Central Australia 1988". In: The Australian Journal of Anthropology 21, 2010, S. 110–128

Myers, Fred: "Disturbances in the field: Exhibiting Aboriginal art in the US", Journal of Sociology 49 (2-3) 2013, S. 151-172, DOI:10.1177/1440783313481520

Neale, Margo: "'Collected' for Centuries", Australian Art Collector 3, 1998, S. 62-64

Nelson, Robert: "Crisis of the exotic", The Age, 25.02.1995

Newstead, Adrian: "Cowboy". In: Art & Australia 36 (3) 1999, S. 395-397

Nicholls, Christine: "Digital Indigeneity", Realtime 52, 2002

Nicholls, Christine: "Digital strategies", Realtime 51, 2002

Nicholls, Christine: "God and Country: An Analysis of Works by Three Contemporary Indigenous Artists". In: Australian and New Zealand Journal of Art 4 (1) 2003, S. 41-60, ISSN 1443-4318

Nicholls, Christine: "Home and away with Kathleen and Violet Petyarre, or, Travels with my aunts". In: Art Monthly Australia 138, April 2001, S. 16-19

Nicholls, Christine: "Reconciling Accounts. From Ethnokitsch to Fine Art", Australian Art Collector 13, 2000, S. 104-108

Nicholls, Christine und Ian North: "GST blues in the Balgo Hills". In: Art Monthly Australia 133, 2000, S. 25ff

North, Ian: "Imants Tillers and Positive Value", Artlink 21 (4) 2001, S. 35-41

Nowell, Liz: "Tony Albert - Family Man". In: Art Monthly 256, 2013, S. 88-89

NSW Department of Primary Industries (Hg.): "Mining by Aborigines – Australia's first miners". In: Primefact 572, 2007, S. 1-4, ISSN 1832-6668

Oguamanam, Chidi: "Localizing Intellectual Property in the Globalization Epoch: The Integration of Indigenous Knowledge". In: Indiana Journal of Global Legal Studies 11 (2) Summer 2004, S. 135-169, ISSN 1080-0727

Oguibe, Olu: "Medium and Memory in the art of Fiona Foley". In: Third Text 33 (9) 1995, S. 51-60

O'Riordan, Maurice: "Mission impossible: The poetic narratives of Michael Cook", Art and Australia 49 (4) 2012, S. 572-575

O'Riordan, Maurice: "Sky train: The 21st Telstra National Aboriginal and Torres Strait islander Art Awart (NATSIAA) in Darwin#", Art Monthly Australia 174, October 2004, S. 20-23

O'Riordan, Maurice: "Soiled with multiple visions. Cross-cultural spiritual politics", Periphery 33, 1997, S. 3-5, ISSN 1034-0580

O'Riordan, Maurice: "Warlayirti Artists". In: Art Collector 60, Apr-June 2012, S. 164-167

Palmer, Shannyn: "‘Exodus’? Rethinking histories of movement and migration in the Western Desert and Central Australia from an Anangu perspective", History Australia 13 (4) 2016, S. 490-507

Pattenden, Rod: "Seeing the spiritual in Australian Art: The Blake Prize". In: Art Monthly Australia 246, Summer Issue 2011, S. 46-49

Perkins, Hetti: "From the Native Born. Art from Ramingining in the Museum for Contemporary Art, Sydney", Art and Australia 34 (3) 1997, S. 317-318

Perkins, Hetti und Hannah Fink: "Covering Ground. The corporeality of landscape". In: Art & Australia 38 (1) 2000, S. 75-83

Perkins, Hetti und Watson Ken: "Papunya Tula: Genesis & Genius". In: Australian Art Collector 13, 2000, S. 60-63

Philp, Angela: "Displacement/replacement - Indigenous women's art from city to desert". In: Art Monthly Australia 249, 2012, S. 34-36, ISSN 1033-4025

Phipps, Jennifer: “Reflections on Aboriginal art, assimilation and land rights”, Art Monthly Australia 114, 1998, S. 22-25

Quaill, Avril: "Queenie McKenzie", Art & Australia 36 (4) 1999, S. 493

Raffan, Jane: "Burning Issues – Value and Contemporary Australian Aboriginal Art". In: Art Monthly 254, Oct. 2012, S. 34-37

Raffan, Jane: "The Crux of the Matter: Manipulating Cultural Property in Aboriginal Rights Debates", Art Monthly Australia 232, August 2010, S. 51-55

Richardson, Donald: "Art Cologne and Aboriginal 'Art'", The Adelaide Review, December 1998

Richardson, Donald: "The Problem of Aboriginal Art ". In: Quadrant Vol. LII, no 10, 1 October 2008

Riphagen, Marianne: "Black on White: Or varying shades of grey? Indigenous Australian photo-media artists and the 'making of' Aboriginality". In: Australian Aboriginal Studies 1, 2008, S. 78-89

Rolls, Mitchell: "The Black Path To Jesus: The Christian Approprition of Aboriginal Culture". In: Azstralian Studies 13 (2) Winter 1998, S. 23-40

Rolls, Mitchell: "Why didn't you listen: white noise and black history", Aboriginal History 34, 2010, S. 11-33, ISSN 0314-8769

Rothwell, Nicolas: "Crossing the divide", The Weekend Australian, 3-4 April 2004, S. R18-R19

Rothwell, Nicolas: "Hidden testament", The Weekend Australian, 8-9 May 2004, S. R18-R19

Rothwell, Nicolas: "Sick at heart", The Weekend Australian, 29-30 March 2003, S. 29-32

Rothwell, Nicolas: "The Face. Nicolas Rothwell meets Jukuna, Painter and Writer", The Weekend Australian, 13-14 March, 2004, S. R3

Ryan, Judith: "George Tjungurrayi", Art & Australia 44 (4), 2007, S. 582-587

Scholes, Luke: "Kiwirrkura women - The shifting shape of Western Desert painting". In: Art & Australia 46 (3), 2009, S. 498-505

Schulz, Dennis: "Lines from the Dreamtime". In: The Australian Way, May 1994, S. 54-59

Schwarz, Carolyn: "Carrying the Cross, Caring for Kin: The Everyday Life of Charismatic Christianity in Remote Aboriginal Australia", Oceania 80 (1) 2010, S. 58-77

Schwarz, Carolyn: "Christianity, identity, power, and employment in an aboriginal settlement". In: Ethnology. An International Journal of Cultural and Social Anthropology 45 (1) 2006, S. 71-86, ISSN 0014-1828

Schwarz, Carolyn und Francoise Dussart: "Christianity in Aboriginal Australia revisited". In: The Australian Journal of Anthropology 21, 2010, S. 1-13

Slavin, John: "Notes towards the end of time: The Venice Biennale", Art Monthly Australia 102, August 1997, S. 10-13

Sloan, Jane: "An allure beyond story: the work of Dorothy Napangardi". In: Southerly 63 (2), 2003, S. 178-186, ISSN 0038-3732

Smith, Bernard: "The unknown art of Australia". In. UNESCO Courier, December 1988, S. 23-26

Smith, Pam: "Frontier conflict: Ways of remembering contested landscapes", Journal of Australian Studies 31 (91) 2007, S. 9-23

Smith, Terry: "Public Art between Cultures - The Aboriginal Memorial, Aboriginality, and Nationality in Australia". In: Critical Inquiry 27 (4), Summer 2001, S. 629-661

Sprague, Quentin: "Outside history - Mick Jawalji and Ngarra". In: Art Monthly Australia 244, October 2011, S. 80-81

Spunner, Suzanne: "Two laws... One big spirit. Rusty Peters & Peter Adsett", Art Monthly Australia 135, 2000, S. 28-30

Stadel, Stefanie: "Der deutsche Markt für Aboriginal-Kunst. 'Wir hinken hinterher'", Der Kunsthandel 8, 2000. S. 78-80, ISSN 0023-5504

Strocchi, Marina: "Minyma Tjukurrpa: Kintore/Haasts Bluff Canvas Project. Dancing women to famous painters", Artlink 26 (4) 2005, S. 104-107

Sutton, Peter:"Aboriginal spirituality in a new age". In: The Australian Journal of Anthropology 21, 2010, S. 71-89

Tamisari, Franca: "When is Aboriginal Aboriginal too much? (Not a Hump But a Historical Speed Bump)". In: Hecate 30 (1) 2005, S. 96-99, ISSN 1033-9434

Throsby, David: "But is it art?". In: Art Monthly Australia 105, Nov. 1997, ISSN 1033-4025, S. 32

Toohey, Paul: "Last Drinks. The Impact of the Northern Territory Intervention" and "Correspondence", Quarterly Essay 30, 2008, S. 1-141, ISSN 1832-0953

Travis, Lara: "Mirage. Drysdale and Moffatt", Art & Australia 37 (4), 2000, S. 548-555

Trigger, David S. und Wendy Asche: "Christianity, cultural change and the negotiation of rights in land and sea". In: The Australian Journal of Anthropology 21, 2010, S. 90-109

Tyquiengco, Marina: "Black Velvet: Aboriginal Womanhood in the Art of Fiona Foley", Feminist Studies 45 (2/3) 2019, S. 467-500

Volz, Andreas: "Blickdicht: An- und Einblicke. Zeitgenössische Kunst australischer Aborigines", Art Profil 2, 2000, S. 8-10, ISSN 1430-4821

Watson, Christine: "Re-embodying Sand Drawing and Re-evaluating the Status of the Camp: The Practice and Iconography of Women's Public Sand Drawing in Balgo, W.A.". In: The Australian Journal of Anthropology 8 (1) 1997, S. 104-124

Wearne, Ben, Janice Chesters und Sue Whyte: "Lungmarama Yolngu nha: (1) a week in the life of an outreach program". In: Australian Aboriginal Studies 2, 2005, S. 16-26

Westdeutscher Rundfunk: "Ausgegrenzt - Warum will die ART keine multikulturelle Messe sein", 17.11.1994, 13 Uhr, Transcript

White, Judith: "Australia's Most Wanted", Australian Art Collector 1, 1997, S. 30-33

White, Judith: "Wide Awake Dreaming, Interview with Hetti Perkins". In: Look (Art Gallery Society of New South Wales), April 2000, S. 14-19, ISSN 1442-4185

White, Sara: "Papunja Tjupi Arts". In: Art Collector 64, Apr-June 2012, S. 168-169

Williamson, Stephen und Samantha Togni: "The art of Elizabeth Nyumi", Art & Australia 41 (4) 2004, S. 575-579

Wolseley, John: "Rock wallaby Dreaming: the Power, the Mood and the Scandal", Art and Australia 37 (3) 2000, S. 377-379

Wright, Felicity and Djon Mundine: "Passion, Rich Collectors and the Export Dollar. The selling of Aboriginal art overseas". In: Artlink 18 (4) 1998, S. 16-22

Yanow-Schwartz, Jo: "Aboriginal Art Hits World Markets", Art World News, November 1998